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κάλλος (τό)

ΚΑΛΛΟΣ

LEXARITHMOS 351

Kallos, the Greek word for beauty, encapsulates a profound concept in ancient Greek thought, ranging from mere physical attractiveness to moral and spiritual perfection. Its lexarithmos (351) suggests completeness and harmony, elements intrinsically linked to the very essence of beauty.

Definition

According to the Liddell-Scott-Jones Lexicon, *kallos* (τό) is primarily defined as 'beauty, fairness, grace,' referring to both the external appearance of humans, animals, and objects, as well as to abstract concepts.

In ancient Greek thought, *kallos* was not limited to superficial aesthetics. It extended to moral virtue, nobility of character, and spiritual harmony. The concept of *kalokagathia*, the connection between the 'beautiful' (morally) and the 'good' (practically), underscores this holistic approach, where external beauty was often considered a reflection of an inner perfection.

For philosophers like Plato, *Kallos* acquired a metaphysical dimension, as one of the Transcendent Forms, which the soul seeks and recognizes. Sensible beauty served as a stepping stone towards the eternal and immaterial *Kallos*, the source of all beauty. Aristotle, though more pragmatic, recognized beauty as harmony, order, and symmetry, elements that contributed to the perfection and completeness of a being or thing.

Etymology

κάλλος ← καλός (beautiful)
The word *kallos* derives directly from the adjective *kalos, -ē, -on*, meaning 'beautiful, good, noble.' The suffix -ος is common for nouns denoting a quality or state. The deeper etymology of *kalos* is uncertain, with some suggesting a connection to the Proto-Indo-European root *kal- 'to call, shout' (in the sense of 'that which attracts attention'), while others propose roots implying 'covering' or 'completeness.' However, the prevailing view simply links it to the concept of virtue and beauty.

Related words include the adjective *kalos*, the comparative and superlative forms *kalliōn* and *kallistōs*, the verb *kallynō* (to beautify, adorn), as well as compound words such as *kalligraphia* (beautiful writing), *kalliergeia* (beautiful cultivation, intellectual development), *kallitechnia* (art of the beautiful), and *kalokagathia* (moral and physical excellence).

Main Meanings

  1. Physical beauty, grace — The external appearance that brings pleasure to the senses, whether in humans, animals, or inanimate objects and landscapes.
  2. Moral beauty, virtue — The inner quality of character, nobility of soul, moral perfection, and virtuous conduct.
  3. Splendor, radiance — The magnificence and impressive appearance, such as the beauty of the sky, a building, or a spectacle.
  4. Elegance, harmony — Aesthetic perfection and balance in works of art, rhetorical speeches, or musical compositions.
  5. Glory, honor, prestige — The recognition and admiration derived from outstanding achievements or high status.
  6. Advantage, benefit, good — The utility or positive quality that makes something desirable or beneficial.
  7. Ornament, embellishment — Anything used to beautify or decorate, adding extra grace.

Philosophical Journey

The concept of *kallos* permeates all ancient Greek literature and philosophy, evolving from a simple description of physical beauty into a profound metaphysical and ethical category.

8th C. BCE (Homeric Era)
Homer
In the Homeric epics, *kallos* primarily refers to the external, physical beauty of heroes and gods, as well as the beauty of objects (e.g., weapons, garments). It is often associated with aristocratic lineage and divine favor.
7th-6th C. BCE (Archaic Lyric Poetry)
Sappho
Lyric poetry, especially that of Sappho, explores the subjective and sensual dimension of *kallos*, focusing on personal attraction and erotic desire. Beauty becomes a source of inspiration and passion.
5th-4th C. BCE (Classical Philosophy)
Plato
Plato develops his theory of *Kallos* as one of the eternal and immaterial Forms. In the *Symposium*, he describes the ascent of the soul from love of bodily beauty to love of the beauty of souls, laws, sciences, and ultimately to Beauty Itself, the source of all beauty.
4th C. BCE (Classical Philosophy)
Aristotle
Aristotle, while not accepting Platonic Forms, analyzes *kallos* as an objective quality characterized by order (*taxis*), symmetry (*symmetria*), and definite magnitude (*hōrismenon megethos*). He considers it an essential element of art and nature.
3rd-1st C. BCE (Hellenistic Period)
Stoics and Epicureans
In Hellenistic philosophy, *kallos* continues to be discussed, often in relation to ethics and eudaimonia. The Stoics connect it with virtue and reason, while the Epicureans link it to pleasure and ataraxia, though not as a primary good.
4th-15th C. CE (Byzantine Period)
Byzantine Theology
In Byzantine thought, *kallos* acquires a strong theological content, linked to divine beauty and the glory of God. The beauty of creation is considered a reflection of the uncreated beauty of the Creator, while art (especially iconography) seeks to render this divine grace.

In Ancient Texts

Three characteristic passages highlight the diversity of the concept of *kallos* in ancient literature:

«τὸ καλὸν ἀεὶ ὂν καὶ μήτε γιγνόμενον μήτε ἀπολλύμενον, μήτε αὐξανόμενον μήτε φθίνον, ἀλλὰ μονοειδὲς ἀεὶ ὂν αὐτὸ καθ᾽ αὑτὸ μεθ᾽ αὑτοῦ, πάντα τὰ ἄλλα καλὰ ἐκείνου μετέχοντα τρόπον τινὰ τοιοῦτον, οἷον καὶ τῶν ἄλλων ἕκαστον γίγνεσθαί τε καὶ ἀπόλλυσθαι.»
Beauty which is everlasting, not growing and decaying, nor waxing and waning, but being itself by itself in eternal oneness, while all the other beautiful things partake of it in such wise that, when they come to be and pass away, it is not at all increased or diminished, but remains unimpaired.
Plato, Symposium 211c
«κάλλος δὲ πᾶν ὅττι τις ἔραται»
And beauty is whatever one loves.
Sappho, fragment 16.3-4 (Voigt)
«τὸ καλὸν οὐδὲν ἄλλο ἐστὶν ἢ τὸ χρήσιμον»
The beautiful is nothing else than the useful.
Xenophon, Memorabilia 3.8.4

Lexarithmic Analysis

The lexarithmos of the word ΚΑΛΛΟΣ is 351, from the sum of its letter values:

Κ = 20
Kappa
Α = 1
Alpha
Λ = 30
Lambda
Λ = 30
Lambda
Ο = 70
Omicron
Σ = 200
Sigma
= 351
Total
20 + 1 + 30 + 30 + 70 + 200 = 351

351 decomposes into 300 (hundreds) + 50 (tens) + 1 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΚΑΛΛΟΣ:

MethodResultMeaning
Isopsephy351Base lexarithmos
Decade Numerology93+5+1=9 — The Ennead, the number of completion and perfection, reflecting the ideal nature of beauty.
Letter Count66 letters — The Hexad, the number of harmony and balance, fundamental elements of the aesthetic of beauty.
Cumulative1/50/300Units 1 · Tens 50 · Hundreds 300
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonK-A-L-L-O-SKosmic Armony Luminously Lights Outstanding Splendor
Grammatical Groups2V · 4C · 0S2 vowels (A, O) · 4 consonants (K, L, L, S) · 0 semivowels
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMercury ☿ / Cancer ♋351 mod 7 = 1 · 351 mod 12 = 3

Isopsephic Words (351)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (351) that further illuminate the complexity of *kallos*:

ἱκανός
*Hikanos* means sufficient, capable, complete. Its connection to *kallos* suggests that true beauty is self-sufficient, whole, and requires nothing additional to be perfect.
θάλαμος
*Thalamos* is a chamber, often private or sacred. This isopsephy may allude to inner, hidden beauty, or beauty discovered within a protected, intimate environment.
ἀκάκητᾰ
*Akakēta* means innocent, pure, guileless. The connection to *kallos* underscores the idea of pure, unadulterated beauty, free from any blemish or malice.
διάπεισμα
*Diapeisma* means persuasion, convincingness. *Kallos* possesses an inherent power to persuade, attract, and inspire, making it a potent tool of influence.
ἕδρασμα
*Hedrasma* refers to a foundation, a base, or a fixed point. Beauty can be seen as a fundamental element of harmony and order in the world, a stable value.
ἀεικέλιος
*Aeikelios* means unseemly, disgraceful, ugly. As an antonym of *kallos*, this isopsephy highlights, through contrast, the value and desirability of beauty, emphasizing what *kallos* is not.

The LSJ lexicon contains a total of 53 words with lexarithmos 351. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Oxford University Press, 9th ed., 1940.
  • PlatoSymposium. Translated by W. R. M. Lamb, Loeb Classical Library, Harvard University Press, 1925.
  • XenophonMemorabilia. Translated by E. C. Marchant, Loeb Classical Library, Harvard University Press, 1923.
  • SapphoThe Poems of Sappho. Edited and translated by Anne Carson, Vintage Books, 2002.
  • Lesky, A.A History of Greek Literature. Translated by J. Willis and C. de Heer, Hackett Publishing Company, 1996.
  • Jaeger, W.Paideia: The Ideals of Greek Culture. Oxford University Press, 2nd ed., 1945.
  • Guthrie, W. K. C.A History of Greek Philosophy. Cambridge University Press, 1962-1981.
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