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AESTHETIC
κιθαρισμός (ὁ)

ΚΙΘΑΡΙΣΜΟΣ

LEXARITHMOS 660

Kitharismos, the art and practice of playing the cithara, stands as a cornerstone of ancient Greek music and education. As a noun, it describes not only the technical skill but also the aesthetic pleasure derived from the cithara. Its lexarithmos (660) is mathematically linked to concepts of harmony and perfection, elements intrinsic to musical art.

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Definition

Kitharismos (κιθαρισμός, ὁ) refers to the act, art, or performance of playing the cithara. In ancient Greece, the cithara was a stringed musical instrument, similar to the lyre but larger and with a deeper sound, typically held upright and played with a plectrum or the fingers. Kitharismos was not merely a technical skill but a comprehensive art form that combined musical performance with recitation or singing, often accompanying poetic texts.

The significance of kitharismos was deeply rooted in Greek paideia and society. It constituted a fundamental part of the musical education of the youth, especially the nobility, as it was believed to cultivate the soul, harmony, and character. Kitharists, or kitharodes when accompanying with song, were respected figures, often professional artists who performed in contests, symposia, and religious ceremonies.

Beyond its educational and entertainment dimensions, kitharismos also held symbolic value. It was closely associated with the god Apollo, patron of music, poetry, and harmony, who was often depicted with a cithara. Thus, the act of kitharismos carried an aura of divine inspiration and perfection, establishing it as one of the noblest arts.

Etymology

kitharismos ← kitharizo ← kithara ← kithar- (Ancient Greek root belonging to the oldest stratum of the language)
The word "kitharismos" derives from the verb "kitharizo," which in turn is formed from the noun "kithara." The root "kithar-" is part of the oldest stratum of the Greek language, lacking clear internal Greek etymological connections beyond the immediate family of words describing the instrument and its use. The word's formation indicates a purely Greek derivation with the addition of the -ismos suffix, denoting an action or its result.

From the root "kithar-" stems a cohesive family of words describing the musical instrument, the act of playing it, and related artists. The primary noun is "kithara" (κιθάρα), from which the verb "kitharizo" (κιθαρίζω, "to play the cithara") is derived. From this verb, derivatives such as "kitharistes" (κιθαριστής, "one who plays the cithara") and "kitharismos" (κιθαρισμός, "the act of playing the cithara") are formed. Related terms also include compound words describing the combination of cithara and song, such as "kitharodos" (κιθαρωδός) and "kitharodia" (κιθαρωδία).

Main Meanings

  1. The act of playing the cithara — The literal action of performing music with the stringed instrument, the cithara. Refers to the technical aspect.
  2. The art of the cithara — The skill and knowledge required to play the cithara with mastery, encompassing musical theory and performance.
  3. Musical performance with the cithara — The public or private presentation of music using the cithara, often in symposia, contests, or religious ceremonies.
  4. Part of musical education — The teaching and learning of the cithara as a fundamental element of ancient Greek education, especially for character development (ethos).
  5. Cithara accompaniment for song — Often, kitharismos included recitation or singing, making it part of kitharodia.
  6. Aesthetic pleasure and entertainment — The enjoyment provided by cithara music to both the performer and the audience.
  7. Symbolism of harmony and order — Due to its association with Apollo, kitharismos symbolized harmony, order, and spiritual cultivation.

Word Family

kithar- (root of the noun kithara)

The root "kithar-" forms the core of a word family revolving around the ancient Greek musical instrument, the cithara, and its associated activities. While the root itself belongs to the oldest stratum of the Greek language, its productivity within Greek is clear, generating terms for the instrument, the act of playing, the performer, and the art itself. Each member of the family illuminates a different facet of this musical tradition, from the material object to the abstract concept of the art.

κιθάρα ἡ · noun · lex. 141
The stringed musical instrument, similar to the lyre but larger, which played a central role in ancient Greek music. It was the primary instrument for kitharismos and kitharodia, associated with Apollo. (Plato, Laws 812d)
κιθαρίζω verb · lex. 957
The verb meaning 'to play the cithara.' It describes the action of musical performance with this specific instrument, either solo or as accompaniment. (Xenophon, Cyropaedia 1.2.6)
κιθαριστής ὁ · noun · lex. 858
The person who plays the cithara, the citharist. Often a professional musician or teacher who mastered the art of kitharismos. (Plato, Republic 398e)
κιθαριστική ἡ · noun · lex. 688
The art or science of playing the cithara. It refers to the body of knowledge and skills related to the cithara and its performance. (Aristotle, Politics 1341a)
κιθαρωδός ὁ · noun · lex. 1214
The singer who accompanies himself with a cithara. This was a particularly honored form of artist, combining poetry, song, and kitharismos. (Homer, Odyssey 8.499)
κιθαρωδία ἡ · noun · lex. 955
The art or act of the kitharode, i.e., singing with cithara accompaniment. It was one of the principal forms of musical performance in ancient Greece. (Plato, Laws 669e)
κιθαρωδέω verb · lex. 1749
The verb meaning 'to sing with cithara accompaniment.' It describes the complete act of the kitharode, combining voice and instrument. (Plutarch, Parallel Lives, Lycurgus 21)

Philosophical Journey

The history of kitharismos in ancient Greece is interwoven with the evolution of music, poetry, and education, from the Homeric age to late antiquity.

8th-7th C. BCE
Archaic Period
The cithara, as an instrument, was already known. Kitharismos was associated with aoidoi and rhapsodes reciting epic poems, though the lyre was more prevalent for accompaniment.
6th-5th C. BCE
Classical Period
Kitharismos became established as a high art and an integral part of musical education. Professional kitharists and kitharodes excelled in contests such as the Pythian Games, honoring Apollo.
4th C. BCE
Platonic and Aristotelian Thought
Plato and Aristotle analyzed the importance of music and kitharismos in the education of citizens, emphasizing its influence on the soul and character. Plato, in his Republic, discussed appropriate music for the ideal city.
3rd-1st C. BCE
Hellenistic Period
Kitharismos continued to be popular, with the development of new techniques and the emergence of virtuosos. The art spread throughout the Hellenistic world, maintaining its prestige.
1st C. BCE - 2nd C. CE
Roman Period
The Romans adopted kitharismos from the Greeks, with many Roman emperors, such as Nero, being known for their love of the cithara and its performance.

In Ancient Texts

The significance of kitharismos in ancient Greek thought and practice is reflected in various texts.

«οὐδὲ γὰρ κιθαρισμὸς ἄνευ ῥυθμοῦ καὶ ἁρμονίας.»
For neither is kitharismos without rhythm and harmony.
Plato, Republic 400a
«τὸν κιθαρισμὸν καὶ τὴν λυρικὴν ᾠδὴν ἐκμανθάνειν.»
To learn kitharismos and lyric song.
Xenophon, Cyropaedia 1.2.6
«τὸν κιθαρισμὸν καὶ τὴν μουσικὴν διδάσκειν.»
To teach kitharismos and music.
Aristophanes, Clouds 964

Lexarithmic Analysis

The lexarithmos of the word ΚΙΘΑΡΙΣΜΟΣ is 660, from the sum of its letter values:

Κ = 20
Kappa
Ι = 10
Iota
Θ = 9
Theta
Α = 1
Alpha
Ρ = 100
Rho
Ι = 10
Iota
Σ = 200
Sigma
Μ = 40
Mu
Ο = 70
Omicron
Σ = 200
Sigma
= 660
Total
20 + 10 + 9 + 1 + 100 + 10 + 200 + 40 + 70 + 200 = 660

660 decomposes into 600 (hundreds) + 60 (tens) + 0 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΚΙΘΑΡΙΣΜΟΣ:

MethodResultMeaning
Isopsephy660Base lexarithmos
Decade Numerology36+6+0=12 → 1+2=3 — Triad, the number of harmony, completeness, and musical structure (e.g., trichord, tritonia).
Letter Count109 letters — Ennead, the number of completion and perfection, often associated with the Muses, patrons of the arts.
Cumulative0/60/600Units 0 · Tens 60 · Hundreds 600
Odd/EvenEvenFeminine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonK-I-TH-A-R-I-S-M-O-SKalos Iama Thaumastos Harmonias Rythmou Ichnos Sophias Mousikis Ousias Syndesmos (A hermeneutic approach connecting kitharismos with healing, harmony, and wisdom).
Grammatical Groups4V · 5C · 0A4 vowels (I, A, I, O), 5 consonants (K, TH, R, S, M, S), 0 atonic letters (not present in the Greek alphabet).
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyVenus ♀ / Aries ♈660 mod 7 = 2 · 660 mod 12 = 0

Isopsephic Words (660)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (660) as "kitharismos," but from different roots, offering a glimpse into the numerical complexity of the Greek language.

ἀναστολή
Anastole, the act of stopping or holding back. An interesting connection to kitharismos, as music requires pauses and restraint to create rhythm and harmony.
ἀριθμοποιός
Arithmopoios, one who creates numbers or calculations. Kitharismos, like all music, is based on mathematical ratios and numerical relationships for the creation of sounds and harmony.
ἁρματοπήξ
Harmatopex, a chariot builder. While seemingly unrelated, it suggests an art of construction, much like the crafting of musical instruments or the structure of a musical composition.
κοιμισμός
Koimismos, the act of lulling to sleep, slumber. This could allude to the calming and soothing effect of music, often used to bring tranquility.
νομοποιός
Nomopoios, one who enacts laws. Music, and kitharismos in particular, is governed by strict rules and "laws" of harmony and rhythm, which must be observed for proper performance.
διάφραγμα
Diaphragma, a partition or dividing wall. This could symbolize the division between performer and audience, or the structural divisions within a musical piece.

The LSJ lexicon contains a total of 83 words with lexarithmos 660. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Oxford: Clarendon Press, 1940.
  • PlatoRepublic, Laws.
  • XenophonCyropaedia.
  • AristophanesClouds.
  • AristotlePolitics.
  • HomerOdyssey.
  • PlutarchParallel Lives.
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