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MYTHOLOGICAL
Οἰνόμαος (ὁ)

ΟΙΝΟΜΑΟΣ

LEXARITHMOS 511

Oenomaus, the mythical king of Pisa in Elis, is a pivotal figure in the myth of Pelops and Hippodamia. His story, replete with prophecies, chariots, and a fatal race, constitutes one of the most dramatic episodes in Greek mythology, linking wine-drinking with excessive impetuosity and tragic destiny. His lexarithmos (511) suggests a complex and multifaceted personality.

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Definition

Oenomaus was the mythical king of Pisa in Elis, son of Ares (according to Apollodorus) or Alxion (according to Pausanias) and Sterope, one of the Pleiades. He was the father of the renowned Hippodamia. His fame is inextricably linked to the tragic story of his daughter's marriage, which led to his downfall and the establishment of Pelops' dynasty in the Peloponnese.

According to tradition, Oenomaus had received an oracle predicting that he would die the moment his daughter married. To avert this fate, he challenged every suitor of Hippodamia to a chariot race. If the suitor won, he would claim Hippodamia. If he lost, he would forfeit his life. Oenomaus, possessing divine horses (a gift from his father, Ares) and a chariot driven by the skilled Myrtilus, was invincible. He had already slain thirteen or eighteen suitors, whose heads hung as trophies in his palace.

The fateful chariot race took place when Pelops, son of Tantalus, arrived in Pisa. Pelops, with the help of Hippodamia, who had fallen in love with him, and by bribing Myrtilus, Oenomaus' charioteer, managed to sabotage the king's chariot. Myrtilus replaced the metal linchpins of the wheels with wax ones, causing the chariot to disintegrate during the race. Oenomaus was dragged by his horses and died, fulfilling the oracle. His death marked the end of an era and the beginning of the curse of the House of Atreus.

Etymology

Oenomaus ← οἶνος (wine) + μαίομαι (to strive, seek, fight)
The name Oenomaus is a compound and derives from two Ancient Greek roots: the noun «οἶνος» (wine) and the verb «μαίομαι» (to strive, seek, fight). The root of «οἶνος» belongs to the oldest stratum of the Greek language, while «μαίομαι» is also an ancient root expressing the concept of intense pursuit or combat. This compound likely suggests a character who is 'impetuous like wine,' 'one who strives with frenzy,' or 'one who fights for wine' (though the latter interpretation is less probable).

The root «οἶνο-» is exceptionally productive in the Greek language, generating a rich family of words related to wine, viticulture, and wine-drinking. Examples include «οἰνοχόος» (wine-pourer), «οἰνάνθη» (vine blossom), «οἰνωπός» (wine-colored), and «οἰνίζω» (to ply with wine). The root «μαο-» from «μαίομαι» is less productive in compound names but appears in words such as «μάχη» (battle) and «μάχομαι» (to fight).

Main Meanings

  1. Mythical King of Pisa — The primary meaning, referring to the king of Elis, father of Hippodamia.
  2. Adversary of Pelops — The main antagonist in the myth of the chariot race for Hippodamia.
  3. Symbol of Fatal Prophecy — The figure who attempts to evade the prophecy of his death through his daughter.
  4. Representative of Hubris — His arrogant behavior and cruelty towards the suitors make him an example of hubris.
  5. Connection to Wine/Frenzy — His name suggests a possible connection to the effects of wine or a wine-induced frenzy, though not directly proven in the myth.
  6. Ancestral Figure of the Atreid Curse — His death and Myrtilus' curse form the genesis of the tragic history of the House of Atreus.

Word Family

οἶνο- (root of οἶνος, meaning «wine»)

The root «οἶνο-» is one of the oldest and most productive roots in the Greek language, referring to wine, a fundamental element of ancient Greek life, religion, and culture. Although the name Oenomaus is a compound (οἶνος + μαίομαι), the word family presented here focuses on the broader and more prevalent root «οἶνο-». This root generated a multitude of terms describing the production, consumption, properties, and effects of wine, highlighting its central position in daily life and mythology.

οἶνος ὁ · noun · lex. 400
Wine, the product of the vine. The basic word from which all other members of the family are derived. In ancient Greece, οἶνος was a central element of symposia, religious ceremonies (in honor of Dionysus), and medicine. It is extensively mentioned throughout ancient literature, from Homer to the philosophers.
οἰνοχόος ὁ · noun · lex. 1150
The wine-pourer, cupbearer. An important role in symposia, often undertaken by young slaves or nobles. Ganymede was the cupbearer of the gods. The word highlights the ritualistic aspect of wine consumption.
οἰνάνθη ἡ · noun · lex. 198
The blossom of the vine, or wine made from unripe grapes. It shows the root's connection to viticulture and the stages of wine production. Mentioned by Theophrastus in his botanical works.
οἰνωπός adjective · lex. 1280
Wine-colored, dark red, or having a face flushed with wine. Often used to describe the color of the sea («οἰνωψ πόντος» in Homer, Odyssey 5.221), but also the appearance of people who have drunk wine.
οἰνίζω verb · lex. 947
To ply someone with wine, to make drunk, or to drink wine. The verb expresses the action related to wine, either as an act or a result. It appears in texts describing symposia and the effects of wine.
οἰνοποσία ἡ · noun · lex. 561
The act of wine-drinking, a drinking party, a symposium. It denotes the social dimension of wine consumption, which was often organized and ritualistic. Mentioned in texts describing social gatherings.
οἰνοπώλης ὁ · noun · lex. 1318
The wine-seller, vintner. It indicates the economic aspect of wine as a commodity. Wine sellers were common in the marketplaces of ancient cities, as mentioned in comedies by Aristophanes.
οἰνοφλυγία ἡ · noun · lex. 1144
Drunken revelry, excessive wine-drinking leading to disorder. It represents the negative side of wine consumption when it exceeds the bounds of moderation. Mentioned in texts criticizing excess.

Philosophical Journey

The myth of Oenomaus, though ancient, was developed and recorded across various periods of Greek literature, reflecting the evolution of its narrative and its cultural significance.

8th-7th C. BCE
Homeric Epics / Hesiod
Homer mentions Pelops as the father of Atreus, but not Oenomaus' race in detail. Hesiod, in the «Catalogue of Women», mentions Oenomaus as Hippodamia's father.
5th C. BCE
Pindar
Pindar, in his «Olympian Ode 1», narrates in detail the myth of Pelops and Oenomaus, focusing on Pelops' victory and the founding of the Olympic Games.
5th C. BCE
Ancient Tragedy
The tragic poets Sophocles and Euripides wrote plays titled «Oenomaus», which are now lost, indicating the myth's popularity.
1st-2nd C. CE
Apollodorus
The «Bibliotheca» of Pseudo-Apollodorus provides one of the most complete and systematic accounts of the myth of Oenomaus and Pelops.
2nd C. CE
Pausanias
Pausanias, in his «Description of Greece», describes monuments in Olympia related to Oenomaus and Pelops, such as Oenomaus' altar and the tradition of the games.

In Ancient Texts

The myth of Oenomaus, though not preserved in a complete tragedy, is captured in significant passages of ancient literature:

«Πέλοψ δὲ Ὀλυμπιάδα νίκαν ἔχων, ἵπποις Οἰνομάου, γαμεῖ Ἱπποδάμειαν.»
Pelops, having the Olympian victory with Oenomaus' horses, marries Hippodamia.
Pindar, Olympian Ode 1.95-96
«Οἰνόμαος δὲ ἵππους ἔχων θείους, Ἄρεος δῶρον, ἐδίωκε τοὺς μνηστῆρας.»
Oenomaus, having divine horses, a gift from Ares, pursued the suitors.
Apollodorus, Bibliotheca, Epitome 2.4
«ἐν δὲ τῷ ἱερῷ τοῦ Διὸς βωμὸς Ὀλυμπίᾳ Οἰνομάου ἐστὶν.»
In the sanctuary of Zeus at Olympia there is an altar of Oenomaus.
Pausanias, Description of Greece 5.14.6

Lexarithmic Analysis

The lexarithmos of the word ΟΙΝΟΜΑΟΣ is 511, from the sum of its letter values:

Ο = 70
Omicron
Ι = 10
Iota
Ν = 50
Nu
Ο = 70
Omicron
Μ = 40
Mu
Α = 1
Alpha
Ο = 70
Omicron
Σ = 200
Sigma
= 511
Total
70 + 10 + 50 + 70 + 40 + 1 + 70 + 200 = 511

511 decomposes into 500 (hundreds) + 10 (tens) + 1 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΟΙΝΟΜΑΟΣ:

MethodResultMeaning
Isopsephy511Base lexarithmos
Decade Numerology75+1+1=7 — The Heptad, a number of perfection and completion, but also of fate and destiny, which Oenomaus vainly tried to avoid.
Letter Count88 letters — The Ogdoad, a number of balance and rebirth, and also of eternity, connected to the eternal curse of the House of Atreus.
Cumulative1/10/500Units 1 · Tens 10 · Hundreds 500
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonΟ-Ι-Ν-Ο-Μ-Α-Ο-ΣOinos Isos Nikis Homoiazei Mache Athanatou Hormis Sophias (Wine perhaps resembles the battle of immortal impetus of wisdom).
Grammatical Groups5V · 3S · 0M5 vowels (O, I, O, A, O), 3 semivowels (N, M, S), 0 mutes.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMoon ☽ / Scorpio ♏511 mod 7 = 0 · 511 mod 12 = 7

Isopsephic Words (511)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (511) as Oenomaus, but of different roots, offer interesting parallels or contrasts:

ἁβροκόμης
«ἁβροκόμης» means 'delicate-haired,' often implying tenderness or effeminacy. This contrasts with Oenomaus' fierce and harsh nature, highlighting the diversity of human characteristics.
ἀδρέπανος
«ἀδρέπανος» means 'unreaped,' 'unharvested,' referring to something not gathered or completed. It can symbolize Oenomaus' fate, whose life and reign were abruptly cut short, leaving his story 'unharvested' from its full development.
ἁλίπνοος
«ἁλίπνοος» means 'sea-breathing' or 'sea-born.' Given that some traditions connect Pelops with Poseidon (god of the sea) or that Oenomaus' horses were divine, this word may suggest a connection to divine or supernatural intervention in the myth.
ἀνόμοιος
«ἀνόμοιος» means 'unlike,' 'dissimilar.' This could refer to the dissimilar fate of Oenomaus' suitors, or to the king's own dissimilar nature compared to other men, due to his cruelty and unique challenge.
ὄγκησις
«ὄγκησις» means 'braying' (of an ass) or, metaphorically, 'boasting,' 'arrogance.' This word can reflect Oenomaus' hubris and excessive self-confidence, which ultimately led to his downfall.
εὐπάθεια
«εὐπάθεια» means 'well-being,' 'ease,' 'enjoyment.' It represents the antithesis to Oenomaus' agony and violent fate. While he sought well-being by keeping his daughter unmarried, fate had the exact opposite in store for him.

The LSJ lexicon contains a total of 78 words with lexarithmos 511. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, Oxford: Clarendon Press, 1940.
  • PindarOlympian Odes, ed. B. Snell & H. Maehler, Leipzig: Teubner, 1971.
  • ApollodorusLibrary, ed. J. G. Frazer, Cambridge, MA: Harvard University Press, 1921.
  • PausaniasDescription of Greece, ed. W. H. S. Jones, Cambridge, MA: Harvard University Press, 1918.
  • HomerOdyssey, ed. D. B. Monro & T. W. Allen, Oxford: Clarendon Press, 1917.
  • HesiodCatalogue of Women, ed. M. L. West, Oxford: Clarendon Press, 1985.
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