LOGOS
MYTHOLOGICAL
Οἰνόμαος (ὁ)

ΟΙΝΟΜΑΟΣ

LEXARITHMOS 511

Oenomaus, the mythical king of Pisa, is a tragic figure inextricably linked to the foundation of the Olympic Games and the myth of Pelops. His name, meaning 'wine-raging' or 'he who rages due to wine,' foreshadows his destiny and destructive behavior. His lexarithmos (511) underscores the complexity of his character and his connections to concepts such as excess and fate.

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Definition

Oenomaus (Οἰνόμαος, ὁ) was the mythical king of Pisa in Elis, son of Ares and Asterope (or Hyrie). He is primarily known from the myth of the chariot race he organized to prevent the marriage of his daughter, Hippodamia. Having received an oracle that he would die at the hands of his son-in-law, he challenged every suitor to a chariot race, with Hippodamia as the prize and death as the penalty. Thanks to the divine horses given to him by his father, Ares, Oenomaus won every time, accumulating the heads of thirteen suitors.

His fate changed with the arrival of Pelops, son of Tantalus, who came from Phrygia to seek Hippodamia's hand. Pelops, with the aid of Poseidon, who also granted him divine horses, and by bribing Myrtilus, Oenomaus's charioteer, managed to win. Myrtilus, betraying Oenomaus, removed the linchpins from the king's chariot wheels, causing it to overturn and Oenomaus to be killed.

The death of Oenomaus marked the end of an era and the beginning of the Pelopid dynasty in the Peloponnese. His myth is also connected to the foundation of the Olympic Games, as Pelops is said to have established games either in Oenomaus's honor or in thanksgiving for his victory. His name, 'wine-raging,' suggests a character prone to anger or madness, possibly as a result of a curse or his inherent nature, elements that align with his tragic end.

Etymology

Oenomaus ← οἶνος ('wine') + μάομαι / μαίνομαι ('to strive eagerly, to rage')
The name Oenomaus is a compound, formed from two Ancient Greek roots. The first component, οἶνος, is an Ancient Greek root belonging to the oldest stratum of the language, denoting 'wine'. The second component, -μαος, derives from verbs such as μάομαι ('to strive eagerly, to seek') or μαίνομαι ('to rage, to be mad'). The compound suggests a character associated with rage or madness induced by wine, or an intense desire potentially linked to it. The interpretation 'wine-raging' or 'he who rages due to wine' is the most prevalent.

The word family related to οἶνος is extensive, encompassing terms for the production, consumption, and effects of wine. Correspondingly, the root μάομαι/μαίνομαι has yielded words expressing intense desire, madness, and prophetic frenzy. The compounding of these two roots in Oenomaus creates a name that encapsulates the essence of his mythical role and personality.

Main Meanings

  1. The Mythical King of Pisa — The primary reference to Oenomaus as the ruler of Pisa in Elis, father of Hippodamia.
  2. The 'Wine-Rager' — The literal interpretation of the name, suggesting a character prone to anger or madness, possibly due to a curse or divine influence.
  3. Pelops' Adversary — His role as the main antagonist in the myth of Pelops and Hippodamia, defeated in the famous chariot race.
  4. Indirect Founder of the Olympic Games — His connection to the origin of the Olympic Games, as Pelops established games either in his honor or to celebrate his victory.
  5. Symbol of Hubris and Fate — Oenomaus as an example of a king who attempts to defy his fate but ultimately succumbs to it, often due to his excessive self-confidence.
  6. The 'Suitor-Slayer' — His reputation as the king who killed numerous suitors of his daughter before being defeated himself.

Word Family

OINO-MAO- (root of οἶνος and μάομαι/μαίνομαι)

The root OINO-MAO- is composed of two distinct yet interconnected Ancient Greek elements: οἶνος, denoting wine, and μάομαι/μαίνομαι, signifying eager striving, seeking, or madness. The combination of these roots creates a name that reflects the personality and fate of the mythical King Oenomaus, often depicted as raging or mad, possibly due to a curse or his inherent nature. The word family stemming from these roots explores both aspects of wine (production, consumption, effect) and the concepts of madness, prophecy, and intense desire, illustrating how these themes are intertwined in ancient Greek thought.

οἶνος ὁ · noun · lex. 400
Wine, which forms the first component of the name Oenomaus. In ancient Greece, οἶνος was a staple of diet, symposia, and religious ceremonies, often associated with joy but also with excess and intoxication. It is extensively mentioned throughout ancient Greek literature, from Homer to the philosophers.
οἰνόω verb · lex. 1000
Meaning 'to make drunk, to fill with wine'. This verb describes the effect of οἶνος and can suggest the state Oenomaus was in, if his name is interpreted as 'he who has been made drunk' or 'overtaken by the influence of wine'.
οἰνοχόος ὁ · noun · lex. 1140
The wine-pourer, cupbearer. An important role in symposia and ceremonies, highlighting the central place of οἶνος in ancient society. Myrtilus, Oenomaus's charioteer, could be seen as a 'wine-pourer' of fate, 'serving' destruction to the king.
οἰνοποσία ἡ · noun · lex. 551
The act of drinking wine, a wine-drinking session. It refers to practices and customs surrounding wine, often implying excessive consumption, which can lead to states reminiscent of Oenomaus's 'rage'.
μαίνομαι verb · lex. 222
Meaning 'to rage, to be furious, to be mad'. This verb is directly linked to the second component of the name Oenomaus, suggesting the anger or madness that characterizes the king in his myth. It is often used to describe divine or prophetic madness, as in Euripides' «Bacchae».
μανία ἡ · noun · lex. 102
Madness, frenzy, a state of wild excitement. A derivative of μαίνομαι, it expresses a state of mental disturbance or intense impulse. Oenomaus's frenzy to kill his daughter's suitors can be interpreted as a form of this madness, leading him to destruction.
μαντικός adjective · lex. 691
Pertaining to divination, prophetic. It is connected to madness as divine inspiration, as in the case of oracles. Oenomaus received an oracle concerning his death, which links his fate to the concept of divination and prophetic knowledge.

Philosophical Journey

The story of Oenomaus, though ancient, was developed and disseminated through various sources of Greek literature, from epic poetry to historiography and geography.

8th-7th C. BCE
Early Epic Tradition
Although not directly mentioned in Homer, the myth of Oenomaus and Pelops likely existed in earlier or contemporary epic traditions, forming part of the broader Pelopid cycle.
5th C. BCE
Pindar
Pindar, in his «Olympian 1» (476 BCE), narrates the myth of Pelops and Oenomaus in detail, emphasizing divine intervention and the foundation of the Olympic Games. This is one of the most complete and ancient surviving accounts.
5th-4th C. BCE
Ancient Tragedy
The myth of Oenomaus was the subject of many lost tragedies, such as «Oenomaus» by Sophocles and Euripides, indicating its significant appeal to the Athenian audience.
1st C. BCE - 2nd C. CE
Diodorus Siculus & Apollodorus
Diodorus Siculus in his «Bibliotheca Historica» and Apollodorus in his «Bibliotheca» provide systematic and detailed accounts of the myth, recording various versions and specifics.
2nd C. CE
Pausanias
Pausanias in his «Description of Greece» describes the monuments and traditions of Elis and Olympia, mentioning Oenomaus and his tomb, as well as his connections to the region.

In Ancient Texts

The myth of Oenomaus, though often alluded to indirectly, finds its most vivid expression in poetic and historiographical texts.

«Πέλοψ δ' ἐπεὶ Οἰνομάου βίαν δάμασσε, παρθένῳ τ' ἐμίχθη, κούραι τ' ἐπείραθεν...»
And Pelops, when he had mastered Oenomaus's might, and had mingled with the maiden, he tried other maidens too...
Pindar, Olympian 1.87-88
«Οἰνόμαος δὲ βασιλεὺς Πίσης ἦν, Ἀρέως καὶ Ἀστερόπης υἱός, ὃς ἔγημε Εὐρυόνην τὴν Ἀκρίσιον, ἐξ ἧς ἐγέννησεν Ἱπποδάμειαν.»
Oenomaus was king of Pisa, son of Ares and Asterope, who married Euryone, daughter of Acrisius, by whom he begot Hippodamia.
Apollodorus, Bibliotheca 2.4.5
«...καὶ Ὀλυμπίασι μὲν Ὀλυμπίων ἀγώνων ἀρχὴ γέγονε διὰ Πέλοπα, ὡς Ὀλυμπιάδα νικήσαντα τὸν Οἰνόμαον.»
...and at Olympia the beginning of the Olympic games came about because of Pelops, as he defeated Oenomaus in the Olympiad.
Diodorus Siculus, Historical Library 4.73.5

Lexarithmic Analysis

The lexarithmos of the word ΟΙΝΟΜΑΟΣ is 511, from the sum of its letter values:

Ο = 70
Omicron
Ι = 10
Iota
Ν = 50
Nu
Ο = 70
Omicron
Μ = 40
Mu
Α = 1
Alpha
Ο = 70
Omicron
Σ = 200
Sigma
= 511
Total
70 + 10 + 50 + 70 + 40 + 1 + 70 + 200 = 511

511 decomposes into 500 (hundreds) + 10 (tens) + 1 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΟΙΝΟΜΑΟΣ:

MethodResultMeaning
Isopsephy511Base lexarithmos
Decade Numerology75+1+1=7 — The Heptad, the number of perfection and completion, but also of fate and divine order, which in the myth of Oenomaus manifests in his inevitable downfall.
Letter Count88 letters — The Octad, the number of balance, justice, and regeneration, reflected in the change of dynasty after Oenomaus's death.
Cumulative1/10/500Units 1 · Tens 10 · Hundreds 500
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonΟ-Ι-Ν-Ο-Μ-Α-Ο-ΣOmnipotent Ire Nurtures Ominous Malice, Ancient Oracles Seal (interpretive)
Grammatical Groups5V · 3S · 0M5 vowels, 3 semivowels, 0 mutes. The predominance of vowels gives the name a fluidity and phonetic intensity that suits the epithet 'raging'.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMoon ☽ / Scorpio ♏511 mod 7 = 0 · 511 mod 12 = 7

Isopsephic Words (511)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (511) as Oenomaus, but of different roots, offer interesting connections and contrasts.

οἰνοβαρής
«Heavy with wine, drunken». This isopsephic word directly connects to the first component of Oenomaus (οἶνος) and reinforces the interpretation of the name as 'wine-raging/drunken', highlighting the influence of wine on the character.
πάμπολις
«Very large city, very many». This word, denoting abundance and size, can be contrasted with Oenomaus's isolation in Pisa and his ultimate downfall, despite his initial power and the numerous slain suitors.
πανοίκιος
«With one's whole house/family». This word signifies the entirety of a family or household. Oenomaus, in his attempt to retain his daughter and avoid the oracle, ultimately loses his entire family and household.
πλόκαμος
«Lock of hair, braid». A word referring to beauty and adornment, in contrast to Oenomaus's wildness and rage. It could symbolize the beauty of Hippodamia, who was the object of contention.
Σάμος
The island of Samos. A geographical name that has no direct semantic relation to Oenomaus, but offers a reminder of the diversity of words that can share the same lexarithmos, regardless of meaning.
εὐπάθεια
«Well-being, comfort, happiness». This word stands in contrast to Oenomaus's tragic fate, who, despite his initial power, never found true εὐπάθεια, but was driven to destruction by his attempt to evade destiny.

The LSJ lexicon contains a total of 78 words with lexarithmos 511. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, 9th ed. with revised supplement (Oxford: Clarendon Press, 1996).
  • PindarOlympian 1.
  • ApollodorusBibliotheca.
  • Diodorus SiculusHistorical Library.
  • PausaniasDescription of Greece.
  • Burkert, W.Greek Religion (Cambridge, MA: Harvard University Press, 1985).
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