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ποίησις (ἡ)

ΠΟΙΗΣΙΣ

LEXARITHMOS 578

Poiesis, a foundational concept in ancient Greek thought, describes the act of creation, production, and making, whether of a physical object, a work of art, or even human existence itself. It is often distinguished from praxis, ethical action, as poiesis aims at the production of an external result. Its lexarithmos (578) suggests a complex process of creation and transformation.

Definition

According to the Liddell-Scott-Jones Lexicon, "ποίησις" (poiesis, ἡ) is primarily defined as "the act of making, fabricating, creating," and by extension, "production, creation," and "poetry, the poetic art." This word, though seemingly simple, carries immense philosophical weight in ancient Greek thought, particularly in Plato and Aristotle.

In Plato, poiesis is not limited to artistic creation but extends to every form of production that brings something from non-being into being. In the "Symposium" (205b-c), Socrates, through Diotima, explains that "πᾶσα γὰρ ἔκ του μὴ ὄντος εἰς οὐσίαν ἴουσα αἰτία ποιήσις ἐστίν," meaning "for every cause that brings anything from non-being into being is poiesis." This broad concept includes not only art but also the creation of laws, institutions, and even procreation.

Aristotle, in his "Nicomachean Ethics" (VI.4, 1140a1-23), clearly distinguishes poiesis from praxis. Poiesis is an activity whose end is the production of a work (ἔργον) external to the agent, such as building a house or writing a poem. The value of poiesis is judged by the quality of the produced work. In contrast, praxis is an action whose end is within the action itself, such as ethical conduct, and its value is judged by the intention and character of the agent. This distinction is fundamental to understanding Aristotelian ethics and aesthetics.

Etymology

poiesis (ποίησις) ← poieō (ποιέω, "to make, do, create") ← Proto-Indo-European root *kʷey- ("to make, build, compose")
The word "poiesis" derives from the verb "poieō," meaning "to make, do, create, produce." The Proto-Indo-European root *kʷey- suggests the concept of construction and composition. The evolution of its meaning from simple craft production to artistic and philosophical creation is indicative of the word's significance in Greek culture.

Cognate words include: poiētēs (ποιητής, the maker, poet), poiēma (ποίημα, the thing made, poem), poiētikos (ποιητικός, able to make or create), poiēteos (ποιητέος, that which must be made). Also, words like "polypoiia" (πολυποιία, meddling) and "apoieō" (ἀποιέω, to disclaim).

Main Meanings

  1. The act of making, production — The basic, literal meaning: the creation of an object or a result. E.g., the construction of a table.
  2. Creation, production in general — The broader sense of bringing something into existence, from non-being to being, as described in Plato.
  3. Poetic art, poetry — The specific meaning the word acquired for the art of composing verses and literary works.
  4. The work produced, the creation — Metonymically, the word can refer to the result of the creative act itself, e.g., a poem.
  5. Performance, execution — In certain contexts, it can mean the carrying out of an action or the achievement of a purpose.
  6. Cause, source — In philosophical texts, it can denote the principle or cause that brings something about.
  7. Procreation, reproduction — In Platonic thought, the creation of new life as a form of poiesis.

Philosophical Journey

Poiesis, as a concept, traverses the history of Greek thought, evolving from a simple description of production into a central philosophical term.

8th-6th C. BCE
Archaic Period
The verb 'poieō' and its derivatives are primarily used in the sense of craft production and the creation of works, as seen in the epics of Homer and Hesiod.
5th C. BCE
Presocratic Philosophers
Although not a central term, the idea of cosmic creation and production from a primary substance (e.g., Thales' Water, Anaximander's Apeiron) paves the way for the Platonic concept of poiesis.
4th C. BCE
Plato
In the 'Symposium' and elsewhere, Plato broadens the meaning of poiesis to encompass every form of creation, from art to procreation and the making of laws, as a process that brings something into existence.
4th C. BCE
Aristotle
In the 'Nicomachean Ethics' and 'Poetics,' Aristotle distinguishes poiesis from praxis, defining it as an activity aimed at producing an external work. He also analyzes poetic art as imitation (mimēsis).
3rd C. BCE - 1st C. CE
Hellenistic Period
The concept of poiesis continues to be used in both its artistic and broader philosophical senses, with an emphasis on technique and production, though without the same philosophical intensity of the classical era.
2nd-5th C. CE
Roman and Late Antiquity
Neoplatonic philosophers, such as Plotinus, integrate the idea of creation and emanation (procession) from the ultimate unity, often with references to a cosmic 'poiesis' or creation.

In Ancient Texts

Three characteristic passages that highlight the variety of meanings of poiesis in ancient Greek literature:

«πᾶσα γὰρ ἔκ του μὴ ὄντος εἰς οὐσίαν ἴουσα αἰτία ποιήσις ἐστίν, ὥστε καὶ αἱ ὑπὸ πάσαις ταῖς τέχναις ἐργασίαι ποιήσεις εἰσὶ καὶ οἱ τούτων δημιουργοὶ πάντες ποιηταί.»
For every cause that brings anything from non-being into being is poiesis, so that all the labors under all the arts are poieses and all their creators are poets.
Plato, Symposium 205b-c
«ἔστι δὲ ποιήσεως μὲν ἀρχὴ ἐν τῷ ποιοῦντι, πράξεως δὲ ἐν τῷ πράττοντι.»
The origin of poiesis is in the maker, while that of praxis is in the doer.
Aristotle, Nicomachean Ethics VI.4, 1140a16-17
«τὸ γὰρ ποιῆσαι καὶ τὸ παθεῖν ἐν τῷ ποιοῦντι καὶ πάσχοντι, ἀλλ’ οὐκ ἐν τῷ ποιήματι.»
For making and being affected are in the agent and the patient, but not in the thing made.
Aristotle, Physics III.3, 202a18-19

Lexarithmic Analysis

The lexarithmos of the word ΠΟΙΗΣΙΣ is 578, from the sum of its letter values:

Π = 80
Pi
Ο = 70
Omicron
Ι = 10
Iota
Η = 8
Eta
Σ = 200
Sigma
Ι = 10
Iota
Σ = 200
Sigma
= 578
Total
80 + 70 + 10 + 8 + 200 + 10 + 200 = 578

578 decomposes into 500 (hundreds) + 70 (tens) + 8 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΠΟΙΗΣΙΣ:

MethodResultMeaning
Isopsephy578Base lexarithmos
Decade Numerology25+7+8=20 → 2+0=2. The Dyad, the number of creation, division, and opposition, reflects the process of poiesis that brings something new into existence, separating it from non-being.
Letter Count77 letters. The Heptad, a number of perfection, completion, and spiritual creation, suggests the finished nature of the work resulting from poiesis.
Cumulative8/70/500Units 8 · Tens 70 · Hundreds 500
Odd/EvenEvenFeminine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonP-O-I-E-S-I-SProfound Originality Inspires Every Sublime Idea, Spirit.
Grammatical Groups4V · 3C4 vowels (ο, ι, η, ι) and 3 consonants (π, σ, σ).
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMars ♂ / Gemini ♊578 mod 7 = 4 · 578 mod 12 = 2

Isopsephic Words (578)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (578) that illuminate aspects of poiesis:

ἀναγέννησις
“Poiesis” as an act of creation is closely linked to “anagennēsis,” renewal and rebirth. Just as poiesis brings something new into existence, anagennēsis signifies a new beginning, a creation ex nihilo or a transformation.
ἀρίθμησις
“Arithmēsis,” the act of counting and ordering, underscores the order and structure inherent in every act of poiesis. Creation, whether artistic or natural, often follows specific rules and proportions, such as harmony in poetry or order in the cosmos.
γενισμός
“Genismos,” birth or origin, is directly connected to poiesis as an act of creation. Every poiesis is a genismos, a process of bringing into being, whether it is the birth of a child or the emergence of a work of art.
ἐθελοκάκησις
“Ethelokakēsis,” voluntary wickedness, offers an ethical contrast to poiesis. While poiesis can be a creative force for good or beauty, voluntary wickedness represents a destructive or negative “creation” that turns against harmony and order.
σκηνικός
“Skēnikos,” belonging to the stage or theater, connects poiesis with performing art. Dramatic poetry, the writing of works for the stage, is a specific form of poiesis aimed at representation and impact on the audience.
κελαδῆτις
“Keladētis,” the singer or warbler, brings poiesis into direct contact with music and sound. Ancient Greek poetry was often intertwined with melody and rhythm, making the act of creation and performance inseparable.

The LSJ lexicon contains a total of 56 words with lexarithmos 578. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Oxford: Clarendon Press, 1940.
  • PlatoSymposium. Loeb Classical Library, Harvard University Press.
  • AristotleNicomachean Ethics. Loeb Classical Library, Harvard University Press.
  • AristotlePhysics. Loeb Classical Library, Harvard University Press.
  • Jaeger, WernerPaideia: The Ideals of Greek Culture. Vol. I. Translated by Gilbert Highet. Oxford University Press, 1945.
  • Else, Gerald F.Aristotle's Poetics: The Argument. Harvard University Press, 1957.
  • Guthrie, W. K. C.A History of Greek Philosophy. Vol. IV: Plato, The Man and His Dialogues: Earlier Period. Cambridge University Press, 1975.
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