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στάσιμον (τό)

ΣΤΑΣΙΜΟΝ

LEXARITHMOS 871

The stasimon, in ancient Greek tragedy, refers to the choral ode performed by the chorus while standing still in the orchestra, marking a pause in the dramatic action and offering commentary or reflection. Its lexarithmos (871) suggests a connection to the concept of stability and completion.

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Definition

In ancient Greek dramaturgy, the stasimon (neuter noun) constitutes one of the fundamental parts of tragedy, as described by Aristotle in his "Poetics." It is a choral ode sung by the chorus after its entrance into the orchestra (following the parodos) and before the exodus, without any intervening episodic scenes. Its name derives from the fact that the chorus performed it "en stasei," i.e., standing still, in contrast to the parodos where they entered dancing.

The stasimon served multiple roles in the development of the drama. It functioned as an interlude from the intensity of the stage action, allowing the audience to assimilate the events and prepare for what was to come. Concurrently, through the stasimon, the chorus expressed the moral, religious, or philosophical views of the community, commenting on the unfolding events, prophesying, or recalling myths.

The significance of the stasimon is inextricably linked to the root of the verb ἵστημι, meaning "to stand, to place, to establish." The word denotes a state of immobility, stability, and cessation, concepts central both to the performance of the ode and to its broader function as a point of reference within the kinetic flow of the drama.

Etymology

στάσιμον ← στάσις ← ἵστημι (root sta-/ste-)
The word stasimon derives from the noun stasis, which in turn is formed from the Ancient Greek verb ἵστημι. The root sta-/ste- is an Ancient Greek root belonging to the oldest stratum of the language, fundamental for expressing the concepts of position, immobility, and establishment.

From this root, a rich family of words is generated, describing the act of standing, the state of immobility, placement, establishment, as well as various forms of stance, both physical and metaphorical (e.g., body posture, a stance in a dispute).

Main Meanings

  1. Choral Ode in Ancient Tragedy — The part of a tragedy sung by the chorus while standing still in the orchestra, following the parodos and preceding the exodus.
  2. Immobility, Cessation — The state of standing still or the stopping of movement.
  3. Fixed Position, Establishment — A defined or permanent place, an establishment.
  4. Stagnation, Inactivity — The lack of movement or progress.
  5. Interruption, Pause — A point of cessation or break in a process or sequence.
  6. Medical Stasis — The obstruction of the normal flow of fluids in the body, e.g., blood stasis.

Word Family

sta-/ste- (root of the verb ἵστημι, meaning 'to stand, to place')

The root sta-/ste- is one of the fundamental roots of the Ancient Greek language, from which a wide range of words related to the concept of standing, placing, immobility, stability, and establishment are derived. From the simple physical act of standing upright to the more abstract notions of position, stance, and foundation, this root forms words that describe both state and action. The variety of its derivatives highlights its central importance in expressing existence and structure.

ἵστημι verb · lex. 568
The basic verb from which the root originates. It means "to stand, to place, to establish, to stop." It is the source of all concepts related to standing and position.
στάσις ἡ · noun · lex. 911
The act of standing, position, stance. It can also mean "revolt, dispute" (when people "stand" against each other) or "political faction."
στατός adjective · lex. 1071
Standing, stable, immobile, fixed. It describes the quality of stability that arises from the act of standing.
στάδιον τό · noun · lex. 635
The place where athletes stand for contests, a race course, and also a unit of length. The concept of a "place of standing" is central.
σταθερός adjective · lex. 885
Firm, unshakeable, certain. It reinforces the idea of permanence and reliability derived from a stable stance.
ἀνίστημι verb · lex. 619
Means "to make stand up, to raise, to resurrect." The prefix ἀνα- adds the sense of upward movement or restoration.
καθίστημι verb · lex. 598
Means "to set down, to establish, to appoint." The prefix κατα- indicates downward movement or the completion of an establishment.
ἔκστασις ἡ · noun · lex. 956
The state of "standing outside" oneself, ecstasy, passionate emotion. It shows a metaphorical departure from one's normal "position."
ὑπόστασις ἡ · noun · lex. 1461
The "substance," essence, reality, that which "stands under" as a foundation. An important philosophical and theological term.

Philosophical Journey

The concept of the stasimon is inextricably linked to the evolution of ancient Greek tragedy and its theoretical analysis.

5th-4th C. BCE (Classical Era)
Attic Tragedy
The stasimon is established as a structural element of Attic tragedy by great dramatists such as Aeschylus, Sophocles, and Euripides. It forms an integral part of the performance.
4th C. BCE (Aristotle)
Theoretical Analysis
Aristotle, in his "Poetics," analyzes and defines the stasimon as one of the quantitative parts of tragedy, contributing to the standardization of ancient dramatic terminology.
Hellenistic Period
Grammarians and Scholiasts
Grammarians and scholiasts of the era continue to study and interpret the structure of tragedy, preserving and elucidating the term stasimon in their works.
Roman Period
Dissemination to the Western World
Latin authors and scholars of Greek culture adopt and translate Greek dramaturgical terms, disseminating the concept of the stasimon to the Western world.
Byzantine Era
Preservation of Terminology
Byzantine lexicographers, such as Suidas, include the term in their lexicons, preserving classical terminology and its interpretations for subsequent generations.
Modern Era
Academic Usage
The term is now primarily used in classical philology and theatre studies for the analysis and understanding of the structure of ancient Greek tragedy.

In Ancient Texts

Aristotle, in his "Poetics," provides the clearest definition of the stasimon as a structural element of tragedy.

«τὰ δὲ τοῦ χοροῦ κομματικὰ μὲν πάροδος καὶ στάσιμον, ἀπὸ δὲ τῆς σκηνῆς κομματικὰ μὲν ῥῆσις καὶ ῥῆσις, ἀπὸ δὲ τοῦ χοροῦ κομματικὰ μὲν πάροδος καὶ στάσιμον.»
The parts of the chorus are the parodos and the stasimon, while the episodic parts from the stage are speech and speech, and again the choral parts are the parodos and the stasimon.
Aristotle, Poetics 12.1452b

Lexarithmic Analysis

The lexarithmos of the word ΣΤΑΣΙΜΟΝ is 871, from the sum of its letter values:

Σ = 200
Sigma
Τ = 300
Tau
Α = 1
Alpha
Σ = 200
Sigma
Ι = 10
Iota
Μ = 40
Mu
Ο = 70
Omicron
Ν = 50
Nu
= 871
Total
200 + 300 + 1 + 200 + 10 + 40 + 70 + 50 = 871

871 decomposes into 800 (hundreds) + 70 (tens) + 1 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΣΤΑΣΙΜΟΝ:

MethodResultMeaning
Isopsephy871Base lexarithmos
Decade Numerology78+7+1=16 → 1+6=7 — The Heptad, the number of perfection, completion, and pause, symbolizing the chorus's defined position.
Letter Count88 letters — The Octad, the number of balance and stability, reflecting the chorus's immobile stance.
Cumulative1/70/800Units 1 · Tens 70 · Hundreds 800
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonΣ-Τ-Α-Σ-Ι-Μ-Ο-ΝStability of Art, Ancient Wisdom, Balance, Music, Completion, Intellect.
Grammatical Groups4V · 5C4 vowels (Α, Ι, Ο, Ο) and 5 consonants (Σ, Τ, Σ, Μ, Ν).
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephySun ☉ / Scorpio ♏871 mod 7 = 3 · 871 mod 12 = 7

Isopsephic Words (871)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (871) but different roots, offering a glimpse into the numerical complexity of the Greek language.

κατάστημα
The word «κατάστημα» (establishment, constitution, position) shares the same lexarithmos as stasimon, though it derives from a different root (καθίστημι, but here as a noun). The meaning of "position" or "establishment" creates an interesting conceptual resonance with the idea of stability.
χάος
The word «χάος» (vast void, chaos) represents absolute disorder and lack of structure, in stark contrast to the concept of "standing" and defined position implied by stasimon.
Πάτροκλος
The name of «Πάτροκλος», Achilles' loyal companion in the Iliad, bears the same lexarithmos, adding a mythological dimension to this numerical coincidence.
ἀφρός
«ἀφρός» (foam) is an ephemeral and unstable phenomenon, contrasting with the stability implied by stasimon, highlighting the variety of meanings that the same number can conceal.
ἰαμβιάζω
The verb «ἰαμβιάζω» (to write iambics, to lampoon) is connected to poetic art, much like stasimon, but refers to a different type of meter and style, offering a parallel reference to the world of aesthetics.
ἀβόσκητος
The adjective «ἀβόσκητος» (unfed, unpastured) describes a state of lack and abandonment, a concept far removed from the organized and structured nature of the stasimon in tragedy.

The LSJ lexicon contains a total of 114 words with lexarithmos 871. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, with a revised supplement. Clarendon Press, Oxford, 1996.
  • AristotlePoetics. Translated by S. H. Butcher. Dover Publications, New York, 1951.
  • Lesky, AlbinA History of Greek Literature. Translated by James Willis and Cornelis de Heer. Hackett Publishing Company, Indianapolis, 1996.
  • Taplin, OliverGreek Tragedy in Action. Routledge, London, 1978.
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