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θρέμματα ποιητικά (τά)

ΘΡΕΜΜΑΤΑ ΠΟΙΗΤΙΚΑ

LEXARITHMOS 995

Plato's concept of «θρέμματα ποιητικά» (poetic creations) as the products of mimetic poetry, which the philosopher critiques as imitations of truth and a source of emotional disturbance. Its lexarithmos (995) mathematically connects to the idea of order and creation, but also to the potential disorder that can arise from the misuse of art.

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Definition

The phrase «θρέμματα ποιητικά» (thremmata poiētika) is primarily found in the work of Plato, particularly in the «Πολιτεία» (Republic, Book X, 605c), where it is used to describe the products of mimetic poetry. Plato, through Socrates, expresses a strong critique of art that merely imitates reality, considering it a «μίμησις μιμήσεως» (imitation of an imitation), thus twice removed from the truth of the Forms.

The term «θρέμμα» (thremma, from τρέφω, trephō) literally means "that which is fed, nurtured, or reared" or "a product, a creation." «Ποιητικά» (poiētika, from ποιέω, poieō) means "creative, pertaining to poetry." Thus, the phrase translates as "poetic creations" or "products of poetry."

Plato's critique focuses on the idea that these «θρέμματα» are not based on knowledge or truth, but on appearance and the ability to stir the passions and emotions of the audience, thereby weakening reason and self-control. For Plato, mimetic poetry, instead of leading to virtue, corrupts the soul, rendering «θρέμματα ποιητικά» dangerous for the ideal state.

Etymology

«ΘΡΕΜΜΑΤΑ ΠΟΙΗΤΙΚΑ» as a compound concept, derived from the roots «τρεφ-» (of τρέφω) and «ποιε-» (of ποιέω). The root «ποιε-» is an Ancient Greek root belonging to the oldest stratum of the language.
The phrase consists of two main components. «Θρέμματα» derives from the verb «τρέφω» (to nourish, rear, bring up), signifying something that has been nurtured, produced, or created. «Ποιητικά» derives from the verb «ποιέω» (to make, create, produce), referring to anything related to creation or poetry. The combination of the two terms forms a concept describing the "products of poetic creation," focusing on the origin and nature of these creations.

The word family of the root «ποιε-» is rich and includes the verb «ποιέω» (to make, create), the noun «ποίησις» (the act of making, creation, poetry), the «ποιητής» (maker, poet), the «ποίημα» (thing made, poem), as well as various compounds and derivatives that revolve around the concept of production, construction, and artistic creation.

Main Meanings

  1. Products of mimetic poetry — The primary Platonic meaning, referring to the works of poets that imitate reality.
  2. Creations of art — A more general reference to any work resulting from artistic creation, especially poetic.
  3. Products of human imagination — Works not based on direct experience or reason, but on inventiveness and imagination.
  4. Works that influence emotions — Creations intended to arouse the passions and feelings of the audience.
  5. Inferior products of art (according to Plato) — The critical dimension of the term, denoting works twice removed from truth.
  6. Anything produced or nurtured through a creative process — A broader, metaphorical use to describe the results of any creative endeavor.

Word Family

poie- (root of the verb ποιέω, meaning "to make, create")

The root poie- constitutes one of the fundamental pillars of the Ancient Greek lexicon, expressing the concept of creation, construction, and production. From it derive words describing both manual labor and intellectual or artistic creation. Its semantic scope covers the transition from the simple act of "making" to the high art of "creating," as seen in the development of the concept of poetry and its derivatives.

ποιέω verb · lex. 965
The basic verb of the root, meaning "to do, make, create, produce." It is widely used in all periods of Ancient Greek, from Homer to the New Testament, for all kinds of production, material or spiritual.
ποίησις ἡ · noun · lex. 578
The act of making, creation, construction. In the classical era, it acquired the specific meaning of "poetic art," "poetry," as in Aristotle's «Ποιητική», where its nature is analyzed.
ποιητής ὁ · noun · lex. 676
One who makes, a creator, a constructor. More specifically, a "poet," a creator of poetic works. Plato in the «Πολιτεία» distinguishes the poet as an imitator from the philosopher as a knower of truth.
ποιητικός adjective · lex. 768
That which pertains to poetry or creation, "creative, poetic." It forms the second component of the head-word, emphasizing the quality of the «θρέμματα» as products of poetic art.
ποίημα τό · noun · lex. 209
The result of making, a creation, a construct, a poem. It signifies the specific work produced, whether artisanal or literary. In the New Testament, man is referred to as God's «ποίημα» (Ephesians 2:10).
ἀποποιέω verb · lex. 1116
A compound verb meaning "to disclaim, reject, cast off." The prefix «ἀπο-» conveys the sense of removal or denial of creation or responsibility for it.
συμποίησις ἡ · noun · lex. 1218
Joint creation, collaboration in making. The prefix «συν-» indicates synergy and the co-production of a work or action.
προποιέω verb · lex. 1215
Meaning "to do beforehand, to prepare." The prefix «προ-» indicates priority in time or preparation before the main act of creation.
καταποιέω verb · lex. 1287
Meaning "to construct completely, to finish making" or "to consume, destroy" (in the sense of a complete action). The prefix «κατα-» intensifies the notion of a full or definitive action.

Philosophical Journey

The concept of «θρέμματα ποιητικά» is inextricably linked to Platonic philosophy and its critique of art, tracing a path of influence and reinterpretation through the centuries.

5th-4th C. BCE
Classical Greek (Plato)
Plato introduces the phrase in his «Πολιτεία» (Republic, Book X, 605c) to characterize the works of mimetic poetry, which he considers dangerous for the moral and rational development of citizens.
4th C. BCE
Aristotle
Although not using the same term, Aristotle in his «Ποιητική» (Poetics) offers a different view of mimesis (imitation), considering it a natural human tendency and a source of learning, in contrast to Plato's critique.
Hellenistic Period
Philosophical Schools
Philosophical schools (Stoics, Epicureans) continue the discussion on the nature and purpose of art, often with references to Platonic positions, albeit with different approaches to its value.
Roman Period
Latin Translation and Commentary
Plato's works are translated and commented upon by Roman intellectuals, disseminating the concept and critique of mimetic art in the Latin-speaking world.
Byzantine Period
Preservation of Classical Texts
Byzantine scholars preserve and study classical Greek texts, including the «Πολιτεία», ensuring the continuation of knowledge of Platonic ideas about art.
Renaissance
Revival of Platonism
With the revival of Platonism, the critique of mimetic art returns to the forefront, influencing theories of aesthetics and creation in European thought.

In Ancient Texts

The most characteristic reference to «θρέμματα ποιητικά» is found in Plato's «Πολιτεία», where Socrates presents his critique of mimetic poetry.

«καὶ δὴ καὶ τὸ μιμητικὸν γένος, ὅταν μιμῆται, θρέμματα ποιητικὰ ποιεῖ, οὐκ ἀληθῆ, ἀλλὰ φαντάσματα.»
“And indeed, the mimetic kind, when it imitates, makes poetic products, not true ones, but phantoms.”
Plato, Republic 605c

Lexarithmic Analysis

The lexarithmos of the word ΘΡΕΜΜΑΤΑ ΠΟΙΗΤΙΚΑ is 995, from the sum of its letter values:

Θ = 9
Theta
Ρ = 100
Rho
Ε = 5
Epsilon
Μ = 40
Mu
Μ = 40
Mu
Α = 1
Alpha
Τ = 300
Tau
Α = 1
Alpha
= 0
Π = 80
Pi
Ο = 70
Omicron
Ι = 10
Iota
Η = 8
Eta
Τ = 300
Tau
Ι = 10
Iota
Κ = 20
Kappa
Α = 1
Alpha
= 995
Total
9 + 100 + 5 + 40 + 40 + 1 + 300 + 1 + 0 + 80 + 70 + 10 + 8 + 300 + 10 + 20 + 1 = 995

995 decomposes into 900 (hundreds) + 90 (tens) + 5 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΘΡΕΜΜΑΤΑ ΠΟΙΗΤΙΚΑ:

MethodResultMeaning
Isopsephy995Base lexarithmos
Decade Numerology59+9+5 = 23 → 2+3 = 5 — The Pentad, the number of harmony, creation, and human existence, but also of change and movement, which can be either towards truth or towards illusion.
Letter Count1716 letters (ΘΡΕΜΜΑΤΑΠΟΙΗΤΙΚΑ) → 1+6 = 7 — The Heptad, the number of perfection, spiritual completion, and wisdom, which mimetic art, according to Plato, threatens to disrupt.
Cumulative5/90/900Units 5 · Tens 90 · Hundreds 900
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonΘ-Ρ-Ε-Μ-Μ-Α-Τ-Α Π-Ο-Ι-Η-Τ-Ι-Κ-ΑNotarikon analysis for a compound phrase like this focuses on the individual letters, without yielding a direct acrostic interpretation with semantic content.
Grammatical Groups8V · 8CThe phrase «ΘΡΕΜΜΑΤΑ ΠΟΙΗΤΙΚΑ» consists of 16 letters, of which 8 are vowels (Ε, Α, Α, Ο, Ι, Η, Ι, Α) and 8 are consonants (Θ, Ρ, Μ, Μ, Τ, Π, Τ, Κ).
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMercury ☿ / Pisces ♓995 mod 7 = 1 · 995 mod 12 = 11

Isopsephic Words (995)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (995) as «θρέμματα ποιητικά», but of different roots, offering interesting semantic connections:

κυβέρνησις
«Κυβέρνησις» (kybernēsis, 995) means the art of governing, steering, or administration. Its isopsephy with «θρέμματα ποιητικά» may suggest the importance of proper guidance (governance) of creative products, so that they do not lead to corruption, as Plato feared.
σύνταγμα
«Σύνταγμα» (syntagma, 995) refers to an arrangement, a composition, a system, or an organized body. Its connection to «θρέμματα ποιητικά» may underscore the need for structure and order in artistic creation, in contrast to the anarchic emotional arousal caused by mimetic art.
φιλίππειος
The adjective «φιλίππειος» (philippeios, 995) means "pertaining to Philip" (e.g., Demosthenes' orations against Philip). This isopsephy can evoke the political dimension of art and rhetoric, where the "creation" of speeches can have powerful effects on political life, just as poetry does in Plato's state.
θεόχαρις
The word «θεόχαρις» (theokharis, 995) means "one who has the grace of the gods, favored by the gods." Its isopsephy with «θρέμματα ποιητικά» can contrast human, often flawed, creation with the idea of divine grace and perfection, recalling the distance of mimetic art from the divine paradigm.
ἐπιστολικός
The adjective «ἐπιστολικός» (epistolikos, 995) means "pertaining to letters, epistolary." This connection can highlight the written form of creation and its communicative dimension, as well as the need for clarity and precision in expression, in contrast to the vagueness of mimetic art.
ἀντεπείσοδος
The «ἀντεπείσοδος» (antepeisodos, 995) is an episode introduced as a counter-argument or counter-action to a previous one. Its isopsephy can symbolize the dialectical nature of Plato's philosophy, where the critique of «θρέμματα ποιητικά» constitutes an "antepeisodos" to the acceptance of art, proposing a higher form of knowledge and creation.

The LSJ lexicon contains a total of 96 words with lexarithmos 995. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • PlatoRepublic, Book X, 605c.
  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, with a revised supplement. Clarendon Press, Oxford, 1996.
  • AristotlePoetics.
  • Jaeger, W.Paideia: The Ideals of Greek Culture, Vol. II: In Search of the Divine Centre. Oxford University Press, 1943.
  • Guthrie, W. K. C.A History of Greek Philosophy, Vol. IV: Plato, The Man and his Dialogues: Earlier Period. Cambridge University Press, 1975.
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