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χοροιτικόν (τό)

ΧΟΡΟΙΤΙΚΟΝ

LEXARITHMOS 1300

The term choriticum, as a noun, refers to the "choral" or "dance" part of a performance, particularly in ancient Greek tragedy and comedy. It describes not only the act of dancing but also the totality of its constituent elements: movement, song, music, and its educational function. Its lexarithmos (1300) suggests a complex completeness associated with collective expression and ritual order.

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Definition

Choriticum (χοροιτικόν), as an adjective, signifies "pertaining to a chorus or dance." As a noun (τό χοροιτικόν), it designates the segment of a performance executed by the chorus, i.e., the choral or dancing part. In ancient Greek dramaturgy, the chorus was a pivotal element, commenting on the action, articulating communal sentiments, and frequently serving as a moral compass.

The word underscores the organic connection of the chorus to music, poetry, and movement, elements that together forged a comprehensive aesthetic experience. It was not confined to mere physical motion but encompassed song (μέλος) and recitation (ῥῆσις), rendering the choriticum a complex artistic genre.

The significance of the choritic element extended beyond its purely artistic dimension, touching upon the social and educational spheres. The chorus was an integral component of youth education, imparting rhythm, discipline, and communal spirit, as described by Plato in his "Laws." Thus, the choriticum was not merely a section of a performance but an expression of collective identity and civic values.

Etymology

choriticum ← choros (root choro-)
The root "choro-" derives from the Ancient Greek word "χορός," which belongs to the oldest stratum of the language. Its precise origin is not fully elucidated, but within Greek, it generates a rich family of words related to circular movement, communal dance, and song.

"Choriticum" is formed from the noun "χορός" by the addition of the suffix "-ικός," which denotes relation or characteristic ("that which belongs to" or "that which relates to"). This morphological process is common in Greek for creating adjectives from nouns, emphasizing the functional or characteristic relationship to the root.

Main Meanings

  1. Pertaining to a chorus or dance — The primary adjectival meaning, describing anything belonging to or concerning the chorus.
  2. The dancing or choral part — As a noun (τό χοροιτικόν), it refers to the section of a dramatic or ritual performance executed by the chorus.
  3. Choral song or poetry — Refers to the genre of poetry or song intended for performance by a chorus, such as choral hymns or the stasima of tragedy.
  4. Suitable for a chorus — Describes something appropriate or fitting for choral execution or participation.
  5. The totality of choral elements — In a broader sense, it can encompass the music, movement, rhythm, and text that constitute the art of the chorus.
  6. Educational or ritualistic dance — In philosophical texts, it may refer to the function of the chorus as a means of education or as an integral part of religious ceremonies.

Word Family

choro- (root of choros, meaning 'circular dance, chorus')

The root "choro-" is at the heart of a family of words revolving around the concept of circular dance, collective movement, and communal song. From this root, terms developed to describe the act, the participants, the place, and the organization of the chorus, which was a fundamental element of ancient Greek society, religion, and art. The root implies the harmonious coexistence of movement, rhythm, and sound.

χορός ὁ · noun · lex. 1040
The circular dance, the group of dancers or singers in a performance. In Homer (e.g., 'Iliad' 18.590), it refers to dances of youths, while in tragedy, it is the central collective subject.
χορεύω verb · lex. 1975
To dance, to participate in a chorus, to lead a chorus. It describes the action of dancing movement and song. Attested in texts from the Archaic period, such as Hesiod and the lyric poets.
χορηγός ὁ · noun · lex. 1051
The one who undertakes the expenses and organization of a chorus, especially in Athenian dramatic production. The choregos was a wealthy citizen who financed the choregia as a public service (leitourgia).
χοροδιδάσκαλος ὁ · noun · lex. 1330
The chorus teacher, one who trains the dancers and singers. A significant figure in the preparation of dramatic performances, often the poet himself.
χοροστασία ἡ · noun · lex. 1572
The act of standing in a chorus, especially in ecclesiastical use, the position of the presiding hierarch. In ancient usage, the position or act of leading a chorus.
ἐπιχορηγέω verb · lex. 1681
To supply additionally, to provide further. From 'epi' and 'choregeo' (derived from choregos). It signifies the provision of resources, not only for choruses but generally for needs.
χορεία ἡ · noun · lex. 786
The dance, the act of dancing. Often used to denote the art of dance or a specific dance movement. Attested in texts such as Plato and Xenophon.

Philosophical Journey

The concept of the choritic element evolved in parallel with the development of Greek art and thought, from archaic rituals to the zenith of drama and philosophy.

8th-7th C. BCE
Archaic Period
Homer describes the 'choros' as a circular dance in festivals and ceremonies, laying the groundwork for collective expression.
6th-5th C. BCE
Lyric Poetry
Choral lyric poets like Pindar and Bacchylides develop the art of choral song, where the choriticum forms the essence of the composition.
5th C. BCE
Classical Tragedy
In Attic drama (Aeschylus, Sophocles, Euripides), the choriticum is the indispensable part of the chorus, with the stasima and parodoi forming the heart of the performance.
4th C. BCE
Philosophical Analysis
Plato in his 'Laws' and Aristotle in his 'Poetics' analyze the significance of the chorus in education and as a constituent element of dramatic art, respectively.
Hellenistic Era
Evolution of Forms
The choriticum continues to exist in various forms, with the development of new dance genres and the specialization of dancers and musicians.
Byzantine Period
Ecclesiastical Use
The concept of the chorus and the choritic element is transferred to ecclesiastical hymnography and worship, with 'chorostasia' acquiring particular significance.

In Ancient Texts

The central position of the choritic element in ancient Greek thought and art is highlighted in significant texts.

«ὁ γὰρ χορὸς οὐδὲν ἧττον ἕνα τῶν ὑποκριτῶν δεῖ νομίζειν, καὶ συναγωνιστὴν εἶναι καὶ μετέχειν τῆς πράξεως, μὴ ὥσπερ Εὐριπίδης ἀλλ’ ὥσπερ Σοφοκλῆς.»
For the chorus should be regarded as no less a character than one of the actors, and should be a fellow-actor and a part of the action, not as in Euripides but as in Sophocles.
Aristotle, Poetics 18.1456a25
«τὸν χορὸν ἅπαντα παιδείας ἕνεκα τῆς ἐν ᾠδῇ καὶ ὀρχήσει.»
The entire chorus for the sake of the education found in song and dance.
Plato, Laws 654b
«καὶ γὰρ ὅ τι μάλιστα χοροῖσι καὶ ᾠδαῖς χαίρουσιν οἱ θεοί.»
For the gods especially delight in dances and songs.
Plato, Laws 653d

Lexarithmic Analysis

The lexarithmos of the word ΧΟΡΟΙΤΙΚΟΝ is 1300, from the sum of its letter values:

Χ = 600
Chi
Ο = 70
Omicron
Ρ = 100
Rho
Ο = 70
Omicron
Ι = 10
Iota
Τ = 300
Tau
Ι = 10
Iota
Κ = 20
Kappa
Ο = 70
Omicron
Ν = 50
Nu
= 1300
Total
600 + 70 + 100 + 70 + 10 + 300 + 10 + 20 + 70 + 50 = 1300

1300 decomposes into 1300 (hundreds) + 0 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΧΟΡΟΙΤΙΚΟΝ:

MethodResultMeaning
Isopsephy1300Base lexarithmos
Decade Numerology41+3+0+0 = 4. The Tetrad, a symbol of completeness, stability, and foundation, reflects the integrated and structured nature of the choritic element in ancient art.
Letter Count1010 letters. The Decad, a number of perfection and cosmic order, signifies the harmony and balance sought by the chorus as a collective expression.
Cumulative0/0/1300Units 0 · Tens 0 · Hundreds 1300
Odd/EvenEvenFeminine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonΧ-Ο-Ρ-Ο-Ι-Τ-Ι-Κ-Ο-ΝJoyful Path, Rhythmic Unity, Sacred Art, Balance of Collective Movements, Laws.
Grammatical Groups5V · 5C5 vowels (O, O, I, I, O) and 5 consonants (Ch, R, T, K, N) — a balanced structure reflecting the harmony of the chorus.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyJupiter ♃ / Leo ♌1300 mod 7 = 5 · 1300 mod 12 = 4

Isopsephic Words (1300)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (1300) as "choriticum," but from different roots, offer interesting parallels.

κοινωνικός
"κοινωνικός" (1300) — This word, meaning "social, communal," is conceptually linked to "choriticum" through the collective and communal nature of the chorus, which was a deeply social manifestation.
παιδεύω
"παιδεύω" (1300) — The verb "paideuo," "to educate, to bring up," highlights the educational function of the chorus in ancient Greece, where participation in choruses was part of citizens' upbringing.
ὑποκύκλιος
"ὑποκύκλιος" (1300) — This adjective, meaning "sub-circular, nearly circular," directly alludes to the circular arrangement of choruses, particularly in the orchestra of the ancient theater.
φίλυμνος
"φίλυμνος" (1300) — The word "philymnos," "fond of hymns," emphasizes the close relationship of the chorus with song and hymnography, as choruses often performed hymns to the gods.
πρεσβευτής
"πρεσβευτής" (1300) — The "presbeutes," "ambassador, elder," can be connected to the function of the chorus as a representative of public opinion or of elders in tragedy, conveying messages and advice.

The LSJ lexicon contains a total of 117 words with lexarithmos 1300. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Oxford: Clarendon Press, 1940.
  • AristotlePoetics.
  • PlatoLaws.
  • PindarOdes.
  • BacchylidesOdes.
  • AeschylusTragedies.
  • Pickard-Cambridge, A. W.The Dramatic Festivals of Athens. Oxford: Clarendon Press, 1953.
  • Csapo, E., Slater, W. J.The Context of Ancient Drama. Ann Arbor: University of Michigan Press, 1995.
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