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εἰκόνιον (τό)

ΕΙΚΟΝΙΟΝ

LEXARITHMOS 285

The eikonion, a diminutive of eikon, is more than just a small image. In antiquity, it denoted a small likeness or portrait, while in the Byzantine and post-Byzantine periods, it acquired the specific meaning of a portable, sacred icon, central to worship. Its lexarithmos (285) suggests a connection with the idea of representation and service.

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Definition

The term εἰκόνιον (to) is a diminutive of the noun εἰκών (he), meaning 'small image, small likeness, small portrait.' The word derives from the root εἰκ- of the verb ἔοικα ('to be like, resemble'). In classical antiquity, εἰκόνιον referred to any small representation, such as a statuette, a relief, or a painted portrait of modest size. Its use often implied the intimacy or personal nature of the object, in contrast to larger, public depictions.

With the evolution of Christian art, particularly during the Byzantine period, εἰκόνιον acquired a specialized and sacred meaning. It then referred to a small, portable image of saints or divine figures, used for personal worship, prayer, or as an amulet. These εἰκόνια were often crafted from precious materials and were objects of particular veneration, easily carried and placed in private spaces or small chapels.

The distinction between εἰκών and εἰκόνιον was not always strict, but the diminutive emphasized the small scale and often the private or personal use. The word retains the fundamental meaning of 'likeness' or 'representation,' but applies it to an object of smaller size and, later, of specific religious content. Its significance is central to understanding the development of Orthodox iconography and the veneration of images.

Etymology

εἰκόνιον ← εἰκών ← εἰκ- (root of the verb ἔοικα, 'to be like, resemble')
The word εἰκόνιον is a diminutive of the noun εἰκών, which originates from the Ancient Greek root εἰκ-. This root forms the basis of the deponent verb ἔοικα, meaning 'to be like, to resemble, to seem fitting.' The root εἰκ- belongs to the oldest stratum of the Greek language and expresses the idea of similarity and representation. The addition of the suffix -ών forms the noun εἰκών (the image, the likeness), while the diminutive suffix -ιον gives εἰκόνιον (the small likeness).

From the same root εἰκ- derive many words related to likeness, representation, and conjecture. The verb εἰκάζω ('to compare, to liken, to conjecture') and the noun εἰκασία ('conjecture, likeness') are direct cognates. Compound words such as εἰκονογραφία ('the art of painting images') and εἰκονομάχος ('one who fights against images') demonstrate the root's productivity in later periods, especially in the religious and artistic spheres.

Main Meanings

  1. Small likeness, statuette — In classical antiquity, any small representation of a person or thing, such as a small statue or relief. (Plato, «Republic» 510a, though the more general «εἰκών» is used there).
  2. Small portrait — A small painted or sculpted depiction of a person, often for personal use or as a memento.
  3. Portable sacred icon — During the Byzantine and post-Byzantine periods, a small, portable religious image, typically painted on wood, used for devotional purposes. (Byzantine sources, e.g., Theodore the Studite).
  4. Amuletic image — A small εἰκόνιον worn or carried as a means of protection or blessing, particularly by soldiers or travelers.
  5. Representation in miniature — More generally, anything that constitutes a small or condensed representation of a larger whole or idea.
  6. Figurative representation — Metaphorically, a symbolic or schematic depiction of a concept or situation, on a small scale.

Word Family

εἰκ- (root of the verb ἔοικα, meaning 'to be like, resemble')

The root εἰκ- forms the core of a word family revolving around the concept of likeness, representation, and conjecture. Originating from the ancient verb ἔοικα, which expresses the quality of resembling or appearing, this root has given rise to nouns, verbs, and adjectives that describe both material depiction and intellectual comparison or hypothesis. Its productivity is evident from the classical era to the Byzantine, where the concept of 'image' acquired theological dimensions.

ἔοικα verb · lex. 106
The deponent verb from which the root εἰκ- derives. It means 'to be like, to resemble, to seem, to be fitting.' It is the original expression of similarity and representation. Widely used by Homer and classical authors (e.g., Homer, «Iliad» A 105).
εἰκών ἡ · noun · lex. 885
The 'image, likeness, representation.' The primary word of the family, from which εἰκόνιον derives. It signifies the visual or intellectual representation of something or someone. A central concept in Plato's philosophy (e.g., «Republic» 509d) and in Christian theology.
εἰκάζω verb · lex. 843
Means 'to compare, to liken, to conjecture, to suppose.' From the idea of likeness arises the act of comparison and forming hypotheses. Often used in philosophical texts for the dialectical method (e.g., Plato, «Sophist» 235e).
εἰκασία ἡ · noun · lex. 247
The 'conjecture, hypothesis, comparison.' In Platonic philosophy, εἰκασία is the lowest level of knowledge, based on shadows and likenesses, not on reality (Plato, «Republic» 509d-511e).
εἰκονίζω verb · lex. 972
Means 'to depict, to represent with an image, to portray.' The verb describing the act of creating an image. Appears in later Greek texts and is fundamental to understanding iconography.
εἰκονογραφία ἡ · noun · lex. 840
The 'art of painting images, iconography.' In the Byzantine tradition, it refers to the sacred art of creating images of saints and biblical scenes, with specific rules and symbolism.
εἰκονομάχος ὁ · noun · lex. 1136
One who 'fights against images.' The term was used during the period of Iconoclasm in the Byzantine Empire (8th-9th C. CE) to describe those who opposed the veneration of sacred images.
εἰκαστικός adjective · lex. 856
Relating to conjecture or representation. Means 'skilled in conjecture' or 'representative.' In Platonic philosophy, it refers to the art of imitation and creating likenesses (Plato, «Sophist» 236c).

Philosophical Journey

The trajectory of εἰκόνιον reflects the evolution of visual representation and religious worship in the Greek world:

5th-4th C. BCE
Classical Antiquity
The root εἰκ- and the noun εἰκών are in full use. The εἰκόνιον, as a diminutive, would have referred to small statues or likenesses, though the word is not as frequent in classical texts as εἰκών.
1st C. BCE - 3rd C. CE
Roman Period
With the development of portraiture, εἰκόνιον could refer to small portraits or busts, which were popular for private use or as souvenirs.
4th-6th C. CE
Early Christian Period
As Christian art began to take shape, small depictions of saints and biblical scenes appeared, laying the groundwork for the later use of the term.
8th-9th C. CE
Iconoclasm
During the period of Iconoclasm, the debate over images (εἰκόνες) intensified. The εἰκόνια, as portable and personal images, were often subjects of contention or clandestine veneration.
10th-15th C. CE
Byzantine Empire
The εἰκόνιον became established as a technical term for the small, portable sacred icon, an integral part of Orthodox worship and personal piety. Many excellent examples survive from this period.
16th C. CE onwards
Post-Byzantine and Modern Era
The use of the term continues, especially in ecclesiastical and historical texts, retaining its specific meaning of a small sacred icon, alongside the more general word 'εικόνα'.

In Ancient Texts

Although εἰκόνιον does not frequently appear in classical texts, the concept of image and likeness is central. We cite passages that highlight the significance of its root:

«οὐκοῦν οὐδὲ εἰκόνα ποιητέον θεῶν οὐδὲ ἀνθρώπων οὐδὲ ἵππων οὐδὲ ἄλλων ζῴων οὐδὲ ὅλως οὐδὲν τῶν ὄντων»
Therefore, one should not make an image of gods, nor of humans, nor of horses, nor of other animals, nor in general of anything that exists.
Plato, Republic 377e (referring to the prohibition of representations in the ideal city, showing the centrality of 'image')
«ἐν εἰκόνι τοῦ ἀοράτου Θεοῦ»
in the image of the invisible God
Apostle Paul, To the Colossians 1:15 (referring to Christ as the image of God, emphasizing the concept of likeness and representation)
«τὸν δὲ χαρακτῆρα τῆς ὑποστάσεως αὐτοῦ»
and the exact imprint of his nature
To the Hebrews 1:3 (though not using 'εἰκών', the concept of 'character' as an exact imprint is cognate with the idea of an image)

Lexarithmic Analysis

The lexarithmos of the word ΕΙΚΟΝΙΟΝ is 285, from the sum of its letter values:

Ε = 5
Epsilon
Ι = 10
Iota
Κ = 20
Kappa
Ο = 70
Omicron
Ν = 50
Nu
Ι = 10
Iota
Ο = 70
Omicron
Ν = 50
Nu
= 285
Total
5 + 10 + 20 + 70 + 50 + 10 + 70 + 50 = 285

285 decomposes into 200 (hundreds) + 80 (tens) + 5 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΕΙΚΟΝΙΟΝ:

MethodResultMeaning
Isopsephy285Base lexarithmos
Decade Numerology62+8+5 = 15 → 1+5 = 6 — The Hexad, the number of harmony, creation, and balance, reflecting art and representation.
Letter Count88 letters — The Octad, the number of completeness, regeneration, and stability, associated with the eternal nature of sacred icons.
Cumulative5/80/200Units 5 · Tens 80 · Hundreds 200
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonE-I-K-O-N-I-O-NSacred Image Conceals Intelligible Essence, Heavenly Power, Vision of Victory.
Grammatical Groups5V · 2S · 1M5 vowels (E, I, O, I, O), 2 semivowels (N, N), and 1 mute (K), indicating a balanced phonetic structure.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyJupiter ♃ / Capricorn ♑285 mod 7 = 5 · 285 mod 12 = 9

Isopsephic Words (285)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (285) as εἰκόνιον, but of different roots, offering interesting comparisons:

ἀνδρίον
The 'ἀνδρίον' is a diminutive of 'ἀνήρ' (man), meaning 'little man, manikin.' Its isopsephy with εἰκόνιον highlights the frequency of diminutives in the Greek language and the idea of 'small' or 'reduced' size.
διακόνιον
The 'διακόνιον' is a diminutive of 'διάκονος' or a derivative of 'διακονία', meaning 'small service' or 'deacon's office.' The connection to service and ecclesiastical hierarchy offers an interesting contrast to the visual representation of the εἰκονίου.
ἐρινόν
The 'ἐρινόν' refers to the wild fig tree. The presence of a word from nature among the isopsephics underscores the diversity of the Greek vocabulary and the coincidental nature of isopsephies, beyond semantic connection.
ἐρνίον
The 'ἐρνίον' means 'young shoot, sprout.' Like ἐρινόν, it belongs to the natural world, showing that the same number can arise from entirely different conceptual areas, from art and worship to biology.

The LSJ lexicon contains a total of 46 words with lexarithmos 285. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon. Clarendon Press, Oxford, 9th ed., 1940.
  • Bauer, W., Arndt, W. F., Gingrich, F. W., Danker, F. W.A Greek-English Lexicon of the New Testament and Other Early Christian Literature. University of Chicago Press, 3rd ed., 2000.
  • PlatoRepublic. Oxford University Press, various editions.
  • PlatoSophist. Oxford University Press, various editions.
  • HomerIliad. Oxford University Press, various editions.
  • Paul, ApostleTo the Colossians. New Testament, various editions.
  • Byzantine Art and Iconography — General studies and histories of Byzantine art.
  • Lexicon of Modern Greek — Institute of Modern Greek Studies (Manolis Triantafyllidis Foundation), Aristotle University of Thessaloniki.
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