LOGOS
POLITICAL
μίμησις πολιτική (ἡ)

ΜΙΜΗΣΙΣ ΠΟΛΙΤΙΚΗ

LEXARITHMOS 1036

Mimesis politike, a pivotal term in ancient Greek political philosophy, describes the representation or embodiment of a polis's principles by its citizens, as well as the idea that the polis itself is an imitation of an ideal model. In Plato, mimesis is often linked to distance from the truth of the Forms, while in Aristotle, especially in the «Politics», mimesis politike refers to the way of life that shapes a city's identity. Its lexarithmos (1036) suggests the complexity and comprehensive nature of political representation.

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Definition

According to the Liddell-Scott-Jones Lexicon, mimesis (from mimeomai) primarily means "imitation, representation, portrayal." In classical Greek thought, the concept of mimesis acquired diverse and profound philosophical dimensions, extending beyond mere copying. Specifically, the term "mimesis politike" refers to political philosophy, predominantly in Aristotle.

In Plato, mimesis often carries a negative connotation, as art imitates the sensible world, which in turn imitates the eternal Forms, rendering art a "mimesis of mimesis" and thus twice removed from truth. However, Plato also acknowledges a positive form of mimesis, such as the imitation of virtues or the polis's endeavor to imitate its ideal form.

In Aristotle, mimesis is fundamental to understanding art (especially in the «Poetics», where tragedy is a mimesis of action) and politics. "Mimesis politike" in Aristotle's «Politics» is not merely the copying of a political system but the embodiment and representation of a specific way of life (bios) by the citizens. The politeia, as a "mimesis of life," shapes the characters and actions of its citizens, making mimesis a central factor in ethical and political education.

Etymology

mimesis ← mimeomai ← mim- (Ancient Greek root belonging to the oldest stratum of the language)
The root "mim-" lies at the core of a family of words expressing the concept of representation, portrayal, and imitation. Its origin traces back to the oldest stratum of the Greek language, with no clear indications of external borrowings. The meaning of the root focuses on the act of "gignesthai homoion" or "poiein homoion," i.e., to become or to make something similar to a model.

From this root derive words covering a wide range of applications of imitation, from artistic representation to political and ethical behavior. The verb "mimeomai" constitutes the primary expression of the act of imitation, while the noun "mimos" refers to the imitator or actor. "Mimema" denotes the result of imitation, namely the copy or portrayal. Other cognate words, such as "mimetes" and "mimetikos," describe the agent and the quality of imitation respectively, extending the root's meaning across various domains of human activity and thought.

Main Meanings

  1. Representation, Portrayal — The general sense of mimesis as the creation of a likeness or image, often in art and literature.
  2. Imitation as an Educational Process — Mimesis as a method of learning and adopting patterns of behavior or skills, particularly in education and moral formation.
  3. Philosophical Mimesis (Plato) — The representation of the sensible world as an imitation of the eternal and immaterial Forms, with art being a "mimesis of mimesis."
  4. Imitation of Action (Aristotle) — Mimesis as the essence of poetic art, especially in tragedy, where human actions and characters are represented.
  5. Political Mimesis (Aristotle) — The idea that the politeia (constitution) is an imitation or embodiment of a specific way of life (bios) by the citizens of the city.
  6. Imitation of Nature — The endeavor of arts or human activities to reproduce or follow the patterns and laws of nature.
  7. Rhetorical Mimesis — The imitation of patterns of speech, style, and arguments from earlier rhetoricians or authors for the development of rhetorical skill.

Word Family

mim- (root of the verb mimeomai)

The root "mim-" lies at the core of a family of words expressing the concept of representation, portrayal, and imitation. Its origin traces back to the oldest stratum of the Greek language, with no clear indications of external borrowings. The meaning of the root focuses on the act of "gignesthai homoion" or "poiein homoion," i.e., to become or to make something similar to a model. Each member of the family develops one aspect of the root: the verb expresses the action, the noun the quality or result, the adjective the attribute.

μιμέομαι verb · lex. 216
The verb from which mimesis is derived. It means "to imitate, represent, portray." In Homer, it is used for imitating voices or movements, while in classical philosophy it becomes a central term for art and politics (Plato, Aristotle).
μῖμος ὁ · noun · lex. 360
A noun meaning "imitator, actor," but also "mimetic performance, comedy." It refers to the person who imitates or to the genre of art based on imitation (e.g., Sophron, «Mimes»).
μίμημα τό · noun · lex. 139
The result of imitation, i.e., "copy, portrayal, likeness." In Plato, the sensible world is a mimema of the Forms, while in art it is the work that represents something.
μιμητής ὁ · noun · lex. 606
A noun denoting "one who imitates, a follower, a disciple." Often with a positive connotation, as someone who follows a model (e.g., "imitators of God" in the New Testament).
μιμητικός adjective · lex. 698
An adjective meaning "apt to imitate, pertaining to imitation." It is used to describe the art or nature of imitation (e.g., "mimetic arts" in Aristotle, «Poetics»).
ἀμίμητος adjective · lex. 669
An adjective meaning "inimitable, unparalleled." It describes something that cannot be imitated or copied, implying uniqueness and superiority, often in relation to divine or exceptional qualities.
ἐκμίμησις ἡ · noun · lex. 533
A noun meaning "exact imitation, faithful representation." The prefix "ek-" intensifies the notion of completeness and accuracy in the act of imitation, suggesting a thorough copy.
παραμίμησις ἡ · noun · lex. 690
A noun meaning "misleading imitation, false representation." The prefix "para-" suggests deviation or distortion from the original model, lending a negative connotation, as in a bad or erroneous imitation.

Philosophical Journey

The concept of mimesis, and particularly political mimesis, has a long and complex history in ancient Greek thought, evolving from simple representation into a central philosophical and political term.

6th-5th C. BCE - Early References
Presocratic Philosophers
The concept of mimesis appears in Presocratic philosophers such as Heraclitus (imitation of nature) and Democritus (imitation of animals in arts). Pythagoras considered music an imitation of the harmony of the heavens.
5th C. BCE - Dramatic Art
Ancient Tragedy and Comedy
In ancient tragedy and comedy, mimesis is the representation of human actions and passions. Tragic poets, such as Aeschylus, Sophocles, and Euripides, used mimesis to explore human nature and ethics.
4th C. BCE - Plato
Philosophical Critique
In his «Republic», Plato develops his critique of mimesis, viewing art as a "mimesis of mimesis" and thus removed from the truth of the Forms. However, he also recognizes the imitation of virtues as a pedagogical tool.
4th C. BCE - Aristotle
Definition and Political Application
In the «Poetics», Aristotle defines mimesis as the essence of poetry ("mimesis of action"). In the «Politics», "mimesis politike" describes the politeia as an imitation of a way of life, where citizens embody the principles of the constitution.
Hellenistic Period
Rhetoric and Ethics
The concept of mimesis extended to rhetoric as the imitation of patterns of speech and style. In philosophical schools, the imitation of the wise and of virtues remained important for ethical education and self-improvement.
Roman Period
Latin Translations and Influence
The Greek concept of mimesis was translated into Latin as "imitatio" and profoundly influenced Roman literature, art, and political thought, especially in the fields of rhetoric and education, shaping the Western tradition.

In Ancient Texts

Three of the most significant passages highlighting the concept of mimesis in ancient Greek thought:

«ἡ μὲν γὰρ τραγῳδία μίμησίς ἐστιν οὐκ ἀνθρώπων ἀλλὰ πράξεως καὶ βίου καὶ εὐδαιμονίας καὶ κακοδαιμονίας·»
«For tragedy is an imitation not of men but of action and of life, and of happiness and unhappiness.»
Aristotle, Poetics 1450a16-17
«ἡ γὰρ πολιτεία βίος τίς ἐστι πόλεως.»
«For the constitution is a certain way of life of the city.»
Aristotle, Politics 1295a40
«τὸ μιμητικὸν γένος καὶ τὸ τῆς ποιήσεως ὅλον ἀπὸ τῶν ἀληθινῶν ἀφίσταται.»
«The imitative kind and all of poetry is far removed from the truth.»
Plato, Republic 599a

Lexarithmic Analysis

The lexarithmos of the word ΜΙΜΗΣΙΣ ΠΟΛΙΤΙΚΗ is 1036, from the sum of its letter values:

Μ = 40
Mu
Ι = 10
Iota
Μ = 40
Mu
Η = 8
Eta
Σ = 200
Sigma
Ι = 10
Iota
Σ = 200
Sigma
= 0
Π = 80
Pi
Ο = 70
Omicron
Λ = 30
Lambda
Ι = 10
Iota
Τ = 300
Tau
Ι = 10
Iota
Κ = 20
Kappa
Η = 8
Eta
= 1036
Total
40 + 10 + 40 + 8 + 200 + 10 + 200 + 0 + 80 + 70 + 30 + 10 + 300 + 10 + 20 + 8 = 1036

1036 decomposes into 1000 (hundreds) + 30 (tens) + 6 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΜΙΜΗΣΙΣ ΠΟΛΙΤΙΚΗ:

MethodResultMeaning
Isopsephy1036Base lexarithmos
Decade Numerology11+0+3+6 = 10 → 1+0 = 1 — Unity, beginning, the uniqueness of the political model.
Letter Count1615 letters (MIMESIS POLITIKE) → 1+5 = 6 — Perfection, harmony, the number of creation and balance in the polis.
Cumulative6/30/1000Units 6 · Tens 30 · Hundreds 1000
Odd/EvenEvenFeminine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonM-I-M-E-S-I-S P-O-L-I-T-I-K-EMeasure of Imitation's Moral Strength, Polis's Orderly Life, Ideal Justice, Ethical Governance – an interpretive approach highlighting the dimensions of political mimesis.
Grammatical Groups7V · 8C7 vowels and 8 consonants. The number 7 is associated with spirituality and perfection, while the number 8 with balance and completeness, indicating the comprehensive nature of political representation.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephyMoon ☽ / Leo ♌1036 mod 7 = 0 · 1036 mod 12 = 4

Isopsephic Words (1036)

Words from the Liddell-Scott-Jones Lexicon with the same lexarithmos (1036) but different roots, offering interesting conceptual connections:

ἱεροτελεστία
«hierotelestia, performance of sacred rites». The connection to mimesis can be found in the ritualistic representation of sacred events or myths, where participants imitate divine actions or archetypes.
πολυμετρία
«polymetria, variety of meters». Although seemingly unrelated, the variety of meters in poetry or music can be seen as an imitation of the world's diversity or human emotions, representing complexity.
προάστειος
«proasteios, one who is before the city». The concept of the "suburb" as a space that imitates or reflects the city, but with a slight distance or difference, can be linked to the idea of imitating a central model.
σιτομετρία
«sitometria, measurement of grain». Accurate measurement, like accurate imitation, requires adherence to a standard or rule, implying the reproduction of a given quantity or faithful observance of a measure.
τυραννεῖον
«tyranneion, the residence or power of the tyrant». Tyranny, as a political system, can be seen as a distorted imitation of kingship or aristocracy, where power is exercised in a manner deviating from the ideal.
ἐνιαυτός
«eniautos, year, cycle». The annual cycle, with its repetitive nature, can be seen as an imitation of a primordial rhythm or order, where each year imitates the previous one, suggesting cyclical reproduction.

The LSJ lexicon contains a total of 87 words with lexarithmos 1036. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, 9th ed. with revised supplement. Oxford: Clarendon Press, 1996.
  • PlatoRepublic. Translated by G. M. A. Grube, revised by C. D. C. Reeve. Indianapolis: Hackett Publishing Company, 1992.
  • AristotlePoetics. Translated by S. H. Butcher. New York: Dover Publications, 1951.
  • AristotlePolitics. Translated by C. D. C. Reeve. Indianapolis: Hackett Publishing Company, 1998.
  • Else, G. F.Aristotle's Poetics: The Argument. Cambridge, MA: Harvard University Press, 1957.
  • Hall, E.The Theatrical Cast of Athens: Interactions between Ancient Greek Drama and Society. Oxford: Oxford University Press, 2006.
  • Salkever, S. G.Finding the Mean: Theory and Practice in Aristotelian Political Philosophy. Princeton: Princeton University Press, 1990.
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