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AESTHETIC
ποίημα (τό)

ΠΟΙΗΜΑ

LEXARITHMOS 209

In ancient Greek thought, a ποίημα (poíēma) was not merely a literary work, but anything 'made' or 'created' — from a handcrafted object to a work of art, and even the divine creation of the cosmos. Its lexarithmos (209) suggests a connection to the principle of duality and creative manifestation.

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Definition

According to the Liddell-Scott-Jones Lexicon, poíēma (ποίημα, τό) primarily means 'a thing made, a work, a creation.' Its scope extends from a handcrafted object or a fabrication to a work of art or a literary composition. The word derives from the verb poiéō (ποιέω), meaning 'to make, create, produce, perform,' thus poíēma is the act or result of this doing.

In classical philosophy, particularly in Plato, poíēma can refer to anything that is brought into being, whether by humans or by gods. For instance, the cosmos itself can be considered a 'poíēma' of the Demiurge. In Aristotle, its meaning becomes more specialized, focusing on artistic creation, and primarily on the 'poetic' art, i.e., the composition of literary works such as epic poetry or drama.

The evolution of the word reflects the development of Greek thought concerning creation and art. From its initial, broad sense of 'anything made,' poíēma acquired a more specialized meaning in the realm of literature, making it synonymous with 'poetic work' or 'poem' in the modern sense. However, its original breadth was never entirely lost, retaining the sense of 'creation' in various contexts.

Etymology

poíēma ← poiéō ← poi- (root of uncertain origin, possibly from PIE *kʷey- 'to build, make')
The root poi- of the verb poiéō, from which poíēma is derived, has an uncertain Indo-European origin. It is possibly connected to the Proto-Indo-European root *kʷey- meaning 'to build, make, create.' This root signifies the action of producing or constructing, which is central to all words in the poiéō family. The semantic shift from simple 'making' to 'artistic creation' represents an interesting linguistic journey.

Poíēma is a noun derived from the verb poiéō. Other cognate words include poiētḗs (the one who makes), poíēsis (the act of making), and poiētikós (that which relates to making). All these words retain the core meaning of 'creation' or 'construction.'

Main Meanings

  1. A thing made, a fabrication, a work — The original and broadest meaning, referring to anything that has been produced or constructed, whether by human or divine agency. E.g., «τὰ ποιήματα τῶν χειρῶν» (the works of the hands).
  2. A creation, a product — The outcome of an action or a process of production. It can refer to natural or artificial products.
  3. A poem, a poetic composition — The more specialized meaning, especially from the classical era onwards, referring to a literary work, usually in verse.
  4. A work of art — A more general reference to any artistic creation, beyond literature, such as a sculpture or a painting.
  5. Divine creation, work of God — In philosophical and theological texts, the cosmos or God's creations are referred to as poíēmata. E.g., Romans 1:20.
  6. An act, a deed (rare) — In certain contexts, it can denote the result of an action, though for this meaning, «πρᾶγμα» (prâgma) is more commonly used.

Word Family

poi- (root of poiéō, meaning 'to make, create')

The root poi- forms the core of an extensive family of words revolving around the concept of 'creation,' 'making,' and 'doing.' From the simple act of 'making' (poiéō), this root generates concepts related to the creator (poiētḗs), the act of creation (poíēsis), the result of creation (poíēma), as well as qualities associated with it (poiētikós). The breadth of the root's meaning allowed its application to both everyday craftsmanship and high philosophical and artistic creations.

ποιέω verb · lex. 965
The foundational verb of the family, meaning 'to make, create, produce, perform.' It is one of the most frequent verbs in ancient Greek, covering a wide range of actions, from constructing an object to fulfilling a duty. E.g., «ποιεῖν νόμους» (to make laws) or «ποιεῖν εἰρήνην» (to make peace).
ποιητής ὁ · noun · lex. 676
One who makes, a creator, a maker. Specifically, a poet, one who composes poetic works. In Homer, it could refer to a craftsman, while in classical Athens, it was the author of tragedies or comedies. E.g., «Ὅμηρος ὁ ποιητής» (Homer the poet).
ποίησις ἡ · noun · lex. 578
The act of making, creation, fabrication. Specifically, the art of poetry, the composition of poems. In Aristotle's «Περί Ποιητικής», poíēsis is the theory of literary creation.
ποιητικός adjective · lex. 768
Pertaining to poetry or creation, creative, poetic. It can refer to an ability or a quality. E.g., «ποιητικὴ τέχνη» (the poetic art).
ποιήτρια ἡ · noun · lex. 579
A female poet, a poetess. Refers to women who composed poetic works, such as Sappho.
ποιητέος adjective · lex. 743
That which must be made, that which must be done. Expresses the necessity or duty of an action. E.g., «τὸ ποιητέον» (that which must be done).
ἀποίητος adjective · lex. 739
That which has not been made, uncreated, unmade. Often used in philosophical and theological contexts to describe something that has no beginning or is not a product of creation.

Philosophical Journey

The journey of poíēma from simple fabrication to high art and theology is indicative of the evolution of Greek thought.

8th-6th C. BCE
Archaic Period
In early texts, the word is used in the broad sense of 'something made' or 'created,' without yet having the specialized literary meaning.
5th-4th C. BCE
Classical Period (Plato)
Plato uses poíēma to describe anything created, including the cosmos as a 'poíēma' of the Demiurge. It also refers to works of art in general.
4th C. BCE
Classical Period (Aristotle)
Aristotle, in his work «Περί Ποιητικής» (On Poetics), specializes the meaning of poíēma to poetic composition, making it a central term for literature and drama.
3rd C. BCE - 1st C. CE
Hellenistic & Roman Period
The word is primarily used with the meaning of 'poetic work' or 'poem,' as we understand it today, but it also retains the broader sense of 'creation.'
1st C. CE
New Testament
In the New Testament, poíēma appears once (Romans 1:20) with the meaning of 'creation' or 'work' of God, emphasizing the divine creation of the world.
2nd-5th C. CE
Patristic Literature
The Church Fathers continue to use poíēma to refer to God's creations, highlighting the relationship between Creator and creation.

In Ancient Texts

Three significant passages highlighting the various facets of the word «ποίημα»:

«καὶ γὰρ αὐτοῦ ἐσμεν ποίημα»
For we are his workmanship
Apostle Paul, Ephesians 2:10
«τὰ γὰρ ἀόρατα αὐτοῦ ἀπὸ κτίσεως κόσμου τοῖς ποιήμασιν νοούμενα καθορᾶται»
For since the creation of the world God’s invisible qualities—his eternal power and divine nature—have been clearly seen, being understood from what has been made.
Apostle Paul, Romans 1:20
«ἔστιν οὖν τραγῳδία μίμησις πράξεως σπουδαίας καὶ τελείας, μέγεθος ἐχούσης, ἡδυσμένῳ λόγῳ, χωρὶς ἑκάστου τῶν εἰδῶν ἐν τοῖς μορίοις, δρώντων καὶ οὐ δι’ ἀπαγγελίας, δι’ ἐλέου καὶ φόβου περαίνουσα τὴν τῶν τοιούτων παθημάτων κάθαρσιν. λέγω δὲ ἡδυσμένον μὲν λόγον τὸν ἔχοντα ῥυθμὸν καὶ ἁρμονίαν καὶ μέλος· χωρὶς δὲ ἑκάστου τῶν εἰδῶν τὸ διὰ μέτρων ἔνια μόνον περαίνεσθαι, ἔνια δὲ καὶ διὰ μέλους. ἐπεὶ δὲ πράξεώς ἐστι μίμησις, πράττεται ὑπό τινων πραττόντων, οὓς ἀναγκαῖον εἶναι ἢ σπουδαίους ἢ φαύλους (ἐν γὰρ τούτοις καὶ τὰ ἤθη διαφέρουσιν ὡς ἐπίπαν, κακίᾳ γὰρ καὶ ἀρετῇ τὰ ἤθη διαφέρουσιν ἅπαντες), ἐπεὶ δὲ ποίημα μίμησίς ἐστιν, ἀνάγκη καὶ τὰς πράξεις μιμεῖσθαι.»
Tragedy, then, is an imitation of an action that is serious, complete, and of a certain magnitude; in language embellished with each kind of artistic ornament, the several kinds being found in separate parts of the play; in the form of action, not of narrative; through pity and fear effecting the proper purgation of these emotions. By 'language embellished,' I mean language into which rhythm, harmony, and song enter. By 'the several kinds in separate parts,' I mean that some parts are rendered through verse alone, others again with the aid of song. Now, as tragic imitation implies persons acting, it necessarily follows in the first place, that the Spectacle will be one part of Tragedy, and, in the second, Song and Diction. For as Tragedy is an imitation of an action, and an action implies agents, who must be either good or bad (for it is by these differences that moral character is distinguished, all men differing in character by virtue of their goodness or badness), it follows that the actions also must be imitated.
Aristotle, Poetics 1449b24-1450a1

Lexarithmic Analysis

The lexarithmos of the word ΠΟΙΗΜΑ is 209, from the sum of its letter values:

Π = 80
Pi
Ο = 70
Omicron
Ι = 10
Iota
Η = 8
Eta
Μ = 40
Mu
Α = 1
Alpha
= 209
Total
80 + 70 + 10 + 8 + 40 + 1 = 209

209 decomposes into 200 (hundreds) + 9 (units).

The 18 Methods

Applying the 18 traditional lexarithmic methods to the word ΠΟΙΗΜΑ:

MethodResultMeaning
Isopsephy209Base lexarithmos
Decade Numerology22+0+9=11 → 1+1=2 — Dyad, the principle of creation and manifestation, of duality (creator and created).
Letter Count66 letters — Hexad, the number of harmony, balance, and creation (the world was created in 6 days).
Cumulative9/0/200Units 9 · Tens 0 · Hundreds 200
Odd/EvenOddMasculine force
Left/Right HandRightDivine (≥100)
QuotientComparative method
NotarikonP-O-I-E-M-APoetic Origin of Ideal Ethical Manifestation of Aesthetics (interpretive)
Grammatical Groups4V · 0S · 2M4 vowels (O, I, E, A), 0 semivowels, 2 mutes (P, M) — suggesting a balanced and flowing structure, characteristic of creative expression.
PalindromesNo
OnomancyComparative
Sphere of DemocritusDivination with lunar day
Zodiacal IsopsephySaturn ♄ / Virgo ♍209 mod 7 = 6 · 209 mod 12 = 5

Isopsephic Words (209)

Words from the Liddell-Scott-Jones lexicon with the same lexarithmos (209), but different roots, offering interesting connections:

καλλονή
«Καλλονή» (beauty) shares the same lexarithmos as poíēma, highlighting the inherent connection between creation and aesthetic value, as a poem often strives for beauty.
ἀρίθμημα
«Ἀρίθμημα» (number, calculation) suggests structure and order. Its isopsephy with poíēma may allude to the organized and measured nature of artistic creation, especially in poetry with its rhythm and meter.
πέδον
«Πέδον» (ground, base) can symbolize the fundamental matter or initial state from which a creation emerges. Every poem has a 'ground' of ideas or experiences from which it develops.
δοκοθήκη
«Δοκοθήκη» (beam-case) refers to construction and architecture. This connection highlights the aspect of poíēma as a structured work, requiring technique and organization, much like a building.
ἐπήρεια
«Ἐπήρεια» (insult, threat) offers an interesting contrast. While poíēma is an act of creation, epḗreia is an act of destruction or harm, showing the two sides of human 'creative' energy.
ἀκήνιον
«Ἀκήνιον» (small thorn) can symbolize detail, sharpness, or even the pain that a poem might contain, or the small, yet significant, creation.

The LSJ lexicon contains a total of 16 words with lexarithmos 209. For the full catalog and AI semantic filtering, see the interactive tool.

Sources & Bibliography

  • Liddell, H. G., Scott, R., Jones, H. S.A Greek-English Lexicon, 9th ed. with revised supplement (Clarendon Press, Oxford, 1996).
  • PlatoRepublic, Timaeus (Loeb Classical Library).
  • AristotlePoetics (Loeb Classical Library).
  • Bauer, W., Arndt, W. F., Gingrich, F. W., Danker, F. W.A Greek-English Lexicon of the New Testament and Other Early Christian Literature (University of Chicago Press, 2000).
  • New TestamentNovum Testamentum Graece (Nestle-Aland 28th ed.).
  • Chantraine, P.Dictionnaire étymologique de la langue grecque: histoire des mots (Klincksieck, Paris, 1968-1980).
  • Frisk, H.Griechisches etymologisches Wörterbuch (Carl Winter, Heidelberg, 1960-1972).
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